It’s August, so where better place to be than the English seaside? Although truth be told I like our coastal areas much more in the winter months and maybe even more so in spring and autumn.
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Welcome to the ‘strange’ world of northern Norway, where June feels more like January in London and where the photographic rewards are great if you’re happy to brave the chilly fingers needed to press the shutter!
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There have been many times when travelling that I’ve stared up at some steps. I’m not the best at climbing stairs, but the incentives to do so are often great. A wonderful view, an interesting building, a slice of history … Any of these is likely to entice me to climb.
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When composing photos I find I usually do one of two things. I either follow the ‘rule of thirds’ (roughly) or I look for symmetry. The latter works best for architecture, for portraits (human or animal) and for some close-up and macro shots.
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While I have little interest in cars or motorbikes for themselves, I do find them interesting photographically speaking. And especially so old cars and shiny bikes!
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It’s all too easy perhaps to spot something photo-worthy, grab a couple of shots and move on. But I’ve found that the first shot you take, or even the third, is rarely the best. In the ‘old days’ of film photography, most of us could only afford to take two or three shots at most. If you wanted to come away with a memorable image it was important to take your time, walk around the subject and choose the best perspective.
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It seems to me that holding a camera gives a lot of people a sense of freedom. They appear more relaxed, less constrained by their surroundings. So what a great opportunity that is for the rest of us who are also carrying a camera with an eye to some street photography!
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When I started blogging almost eighteen months ago I had no idea that the blogosphere was full of challenges, and it took me some time to discover them. Once I did, I was hooked, and especially on photo challenges.
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You can’t get much more black and white than a zebra! But actually many animals look good in monochrome. I’ve had a go at editing some of my favourite wildlife shots – mammals, reptiles and birds – with my favourite software. Let me know which versions you prefer, colour or black and white?
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One possible twist to the usual alternatives of colour or black and white is the use of selective colour. This can look quite gimmicky, so I prefer to keep the colours muted to tone in better with the grey shades.