Why, when we see the world in colour, do we often find black and white portraits so engaging? With the distraction of colours stripped away we are driven to focus on elements such as the direction of a gaze, skin texture and the interplay of light and shadow on the face. Elements such as clothing and jewellery fade into the background and the expression on the face takes centre stage.
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It’s probably many years since any of us used Kodachrome to capture ‘nice bright colours’. But digital photography allows us to achieve similarly cheerful results. It also, of course, allows us to opt for a purely greyscale monochrome palette.
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As photographers we are trying to convey three-dimensional scenes and objects on a flat two-dimensional surface, whether paper or screen, and we can use similar tricks to those of the Renaissance artists. Lines that converge on a point close to the horizon (‘leading lines’) create a sense of distance, as do receding objects.
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It's important not to get so hung up on technique that we forget to concentrate on what really matters in our photography: creating an emotional connection with our subject. Yet technique is important, and good technique can help bring out that feeling.
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Is there anyone who isn’t awed by a waterfall? Whether it’s the sheer power of the water tumbling over the edge a one of the world’s great falls such as Victoria or Iguazu, or whether it’s the delicate lace and spray of a stream tumbling over rocks, the movement and sound seem always to hold us in their grip.
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As a general rule, a group of three in a picture is particularly pleasing to the eye and can hold the attention of the viewer for longer than a group of even numbers. This is true of any odd number but especially so of three.
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Hull has had something of a poor reputation in England in recent years, but that seems to be changing. A city voted the ‘worst place to live in the UK’ in 2005 became the country’s City of Culture in 2017 and last year its city centre was named one of the coolest places to live by the Sunday Times. From worst to coolest; that’s quite a turnaround!
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Sometimes it's easy to forget that 'small is beautiful'. Also, how much of that beauty can be found very close to home. There may be a whole wide world out there, but that world begins as soon as we step out of our own back (or front) door.
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Sri Lanka is such a colourful country that it seems counterintuitive to photograph it in black and white. But I’m always up for a photographic challenge! Plus, I enjoy editing from colour into monochrome, experimenting to see what different effects and moods I can create.
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A photograph is a two-dimensional artefact, whether digital or printed. Yet its apparently flat surface can reveal three-dimensional textures, especially when we get the lighting right. Texture is most clearly seen when hit by lighting at an angle, bringing out areas of light and shade. Contrasting colours help, but the light is (almost) everything!
