Sometimes it's easy to forget that 'small is beautiful'. Also, how much of that beauty can be found very close to home. There may be a whole wide world out there, but that world begins as soon as we step out of our own back (or front) door.
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Sri Lanka is such a colourful country that it seems counterintuitive to photograph it in black and white. But I’m always up for a photographic challenge! Plus, I enjoy editing from colour into monochrome, experimenting to see what different effects and moods I can create.
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A photograph is a two-dimensional artefact, whether digital or printed. Yet its apparently flat surface can reveal three-dimensional textures, especially when we get the lighting right. Texture is most clearly seen when hit by lighting at an angle, bringing out areas of light and shade. Contrasting colours help, but the light is (almost) everything!
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I’ve never been particularly good at sports, and I’m too competitive to enjoy the feeling of losing … or even coming second! But I do like to watch others excel at them. It’s exciting not to know what will happen next, and to cheer on a favourite individual or team to success.
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There is something ethereal and fascinating about images that lack the colours that we normally relate to the spectrum. Do we even always think of white as a colour, or do we consider it a lack of colour? Get it right and white images can be easily as striking as more brightly coloured ones.
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Today I am focusing on just one letter, P. Why P, you ask? I had no Particular Purpose in choosing it for this week’s Monochrome Madness challenge to be honest. I Possibly Perceived it as a fairly challenging letter to express through a Photographic Process.
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Everything captured within our photos should be there for a reason. What we leave out is as important as what we include, but we also need to be sure that our subject is clear and that our photo says something about that subject.
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Once we learn some composition techniques, we no longer need to ‘rehearse’ them in our minds before taking a photo; they become instinctive. But whether you study and follow the ‘rules’ of composition, or prefer to take a more relaxed approach to photography, there’s no denying that certain compositions are especially pleasing to the eye and impactful.
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I hope these images of animate and inanimate subjects found on rooftops around the world, from cats to crosses, demonstrate that it is always worth looking up while carrying a camera. You never know what you might see!
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We all know the colours of the rainbow and our imaginations can supply them even when photographed in black and white. The colours of many other photographic subjects are equally recognisable too. But when we strip out those colours and leave our imagination to fill them in, other elements of the subject, like texture and form, come to the fore.
