As children we are taught to follow the rules, whether those set by our parents, our school or society in general. And when we first start to take our photography seriously we discover that there are rules there too. It’s perhaps really only once you have learned these rules and are applying them instinctively that you can also learn when and how to break them.
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I wonder whether images ‘choose’ photographers? I think in a way they do, in the sense that any keen photographer will put themselves in the best position for potential pictures to choose them. They know where to go, where (and importantly) how to look.
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Neil Gaiman once said, 'Picking five favourite books is like picking the five body parts you'd most like not to lose.' If you replace the word ‘books’ in that quote with ‘photographs’ you will know exactly how I feel. I have a similar reaction when people ask me which are my top three / five / ten places I’ve visited.
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What we choose to leave out of a photograph matters as much as what we choose to include. And we are making such decisions every time we point our camera at a subject. But thanks to digital photography it is now very easy to make them retrospectively, when we come to edit our shots. Furthermore, we can take a single shot and test out a variety of options.
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I have been taking photos since I was ten years old, so for almost sixty years. As a child I photographed my family, mainly on family holidays. As I grew older I documented school trips abroad, my time at university, and of course holidays.
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First, a disclaimer: in calling this gallery ‘colours that complement’ I don’t mean 'compliment'. They won't be telling you how great your latest blog post was or how good you look today! No, today we are looking at colour theory.
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T is the twentieth letter in the English language. It is, according to Wikipedia, the most commonly used consonant and the second-most commonly used letter in English-language texts. So it should be easy to find photographs of objects that begin with T, shouldn’t it?
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There is little I like more than the chance to see the world, or at least a tiny part of it, from a different perspective. And that often means getting high up to look down. Whether from a plane, a hot air balloon, a tall building or a mountain (preferably reached by cable car!), things always look different from above.
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If colour is the language of dreams, what about the many names we use to describe colours? Yes, we can say blue, red, green, yellow, pink, and everyone will have a mental image of each colour as it is named. But will we all have the same image? There are so many reds, so many greens, so many pinks … You get my drift!
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We all have photos that didn’t make the final cut when selecting the best from a day’s shooting, but which weren’t so disappointing that we discarded them. Maybe they are significant to us because of the subject matter even if we don’t feel they represent our best efforts. Or maybe we keep them planning to try to work on them in the future because we feel they have potential.
