Spring is the most colourful of seasons so how can we best capture its wonders in monochrome? The colours of spring are special to us as we transition from the muted, often monochromatic tones of winter to a vibrant explosion of life and renewal. So what happens if we remove those colours from our photos?
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The first colour many of us think of when we hear the word ‘night’ might well be black. But as Van Gogh famously reminded us, there are many more colours to be seen then too. And he made his remark before the advent of our brightly lit cities, where many colours are more evident at night than black!
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If a black and white photograph is a 'departure from reality' (and surely it is), then why are so many photographers still drawn to taking them? And what is their appeal for the viewer? Is it merely nostalgia as some have claimed? After all, the oldest among us grew up I'm a world of black and white films, TV and family snapshots.
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What we choose to leave out of a photograph matters as much as what we choose to include. And we are making such decisions every time we point our camera at a subject. But thanks to digital photography it is now very easy to make them retrospectively, when we come to edit our shots. Furthermore, we can take a single shot and test out a variety of options.
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Without the distraction of colours, the focus shifts more to the subject’s face and expression. The eyes in particular seem to stand out more, and consequently as a viewer you often feel more connected to the person. And the absence of colour results in an emphasis on shape and form, often making the people seem more significant than their surroundings.
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Perhaps because Britain is a relatively small island, many of us are drawn to the sea. After all, we nearly all live within a few hours drive of the coast. We grew up with seaside holidays, day trips to the beach. We are known as a ‘nation of seafarers’, based on those days when ‘Britannia ruled the waves’.
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Wherever we travel in the world we find cities building and rebuilding themselves. From Pyongyang in North Korea to Seattle on the west coast of the US and also back at home in London, there is no dearth of modern architecture to love or loathe.
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T is the twentieth letter in the English language. It is, according to Wikipedia, the most commonly used consonant and the second-most commonly used letter in English-language texts. So it should be easy to find photographs of objects that begin with T, shouldn’t it?
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When the Spanish invaded and conquered much of the American south west, one of their first acts was to build missions. They claimed they were saving the souls of the indigenous ‘heathens’ but they had a much more worldly agenda. Their motivation was to subdue, control and in due course employ the local population to exploit the resources of their newly acquired territory.
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The choice between colour or monochrome for a photo is a very subjective one. Some people simply don’t like black and white photography, seeing it as old-fashioned, unnatural and unnecessary. Why remove the colour from a scene, they ask, when we see the world in colour. Why show things as less vibrant, less varied, less colourful than they really are?
