Can anyone honestly assess for themselves which are their ‘best ever’ photos? I know I can’t! The best I can do is choose photos that I personally love and am proud of.
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I am very definitely a 'cat person'. I admire the independent spirit of cats. They can be affectionate but always on their own terms, and unlike dogs, don’t constantly seek attention. Their behaviour can be quixotic, their thoughts hard to fathom, whereas most dogs are open books. And I find cats really beautiful to look at: elegant, with expressive eyes and distinctive colours and patterns on their fur.
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It’s widely recognised that elephants mourn their dead, but what about other animals? It’s rather easy to fall into the trap of anthropomorphising, attributing our feelings and behaviours to them. Yet there are examples of what appear to be very human-like emotions, and we were once privileged to witness one.
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Jean De La Bruyere, French philosopher, said that, 'We come too late to say anything which has not been said already', but I am hopeful that I am better late than never.
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Sometimes a few words can enhance a viewer’s understanding of an image. After all, what else are captions for if not to explain?
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Some photographic subjects are obvious candidates for black and white, others seem better suited to colour. But sometimes it’s interesting to choose a subject or destination that appears to cry out for colour and experiment with some monochrome edits. The results may surprise you!
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No two skies are the same, and no single sky stays the same for long. Maybe that’s why, as photographers, we are so drawn to capture them? An ever-evolving, ever captivating subject that is available to us all. We only have to look up!
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Giraffes’ eyes are beautiful but they can look rather mournful. Maybe that’s a touch of anthropomorphism, attributing human emotions to an animal? And yet …
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Looking for the ‘ah-ha’ seems to me to be an excellent mantra for any photographer. Although in truth I sometimes search for that not by stepping back but by zooming in. For me the important thing is not to settle for the obvious, for the first angle that occurs to me.
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The wide waters of the Chobe River form the northern boundary of the national park of the same name. They divide Botswana from its neighbour Namibia to the north. But of course the wildlife that teems on its shores, in its waters and in the skies above knows no national borders. And nor does the sun, which sets and rises on all.
