The letter B, the second letter of our alphabet, is one of the first a child learns to recognise. ‘A is for Apple, B is for …’ Yes, what objects do begin with a B? I had great fun trawling my archives for these 'B' images!
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As photographers we are trying to convey three-dimensional scenes and objects on a flat two-dimensional surface, whether paper or screen, and we can use similar tricks to those of the Renaissance artists. Lines that converge on a point close to the horizon (‘leading lines’) create a sense of distance, as do receding objects.
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From the well-known (think Grand Canyon or Great Pyramid of Giza) to the less lauded (an ancient artefact, a beautiful stained-glass window, a snow-capped mountain, a colourful bird, a surprise encounter with wildlife) … the world is full of wonders. I am fortunate to be able to travel and to appreciate the wonders I am able to discover far from home.
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It's important not to get so hung up on technique that we forget to concentrate on what really matters in our photography: creating an emotional connection with our subject. Yet technique is important, and good technique can help bring out that feeling.
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As a general rule, a group of three in a picture is particularly pleasing to the eye and can hold the attention of the viewer for longer than a group of even numbers. This is true of any odd number but especially so of three.
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Sometimes it's easy to forget that 'small is beautiful'. Also, how much of that beauty can be found very close to home. There may be a whole wide world out there, but that world begins as soon as we step out of our own back (or front) door.
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A photograph is a two-dimensional artefact, whether digital or printed. Yet its apparently flat surface can reveal three-dimensional textures, especially when we get the lighting right. Texture is most clearly seen when hit by lighting at an angle, bringing out areas of light and shade. Contrasting colours help, but the light is (almost) everything!
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Here are five memorable train journeys from my travels. I'm not really interested in the trains themselves. Trainspotting definitely isn't my thing. But the experiences you have on board, especially if you get the opportunity to chat with local people, and the views of the passing scenery, are almost always memorable.
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I was never captivated by history at school. Maybe it was the dull manner in which it was taught. Maybe I was unlucky with the teachers I had, unable to bring the past to life. Or maybe it was the focus on kings and queens, generals and politicians, rather than the lives of ordinary people. Certainly it is the latter that most interests me today.
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We can plan our shots as carefully as we might, but luck plays its part too. There are always factors we cannot control, from people to weather to wildlife.
