-
Gallery: empty spaces
It may seem contradictory to suggest that we photograph empty space. Shouldn’t a photo be OF something? But if we set our subject against a large area of relative emptiness and create ‘breathing room’ around our subject, we can help the viewer to see that subject differently.
-
Gallery: look up, look down
When you first start using a camera, the tendency is to look straight ahead at a scene. We get caught up in what we see right in front of us. We may look ahead, to the left and right, down and even behind us, but many times we forget to look up.
-
Gallery: seeing Madagascar in black and white
Madagascar is a colourful country! The landscapes are beautiful and for the most part lush and green. The wildlife is often colourful too. And in villages and towns there are lively markets, while hotel grounds are planted with pretty flowers. And yet, I can never resist the temptation to experiment with black and white edits
-
Gallery: full frame impact
In photography, when you choose to fill the frame with your subject, leaving out everything that surrounds it, you remove all distractions and by doing so force the viewer to look only at this one thing. This can be very impactful.
-
Gallery: seeking asymmetry in Madagascar
While I sometimes enjoy the harmony of a perfectly symmetrical shot, on the whole I find the asymmetrical more interesting. An image that is off-centre is more dynamic and encourages the eye to explore rather than settling in one spot.
-
Gallery: signs of the times
Our world is full of signs, both those we erect ourselves to convey a message, and the more subtle ones we can read in landscapes and nature. The latter include the signs that speak of changing seasons, like autumn leaves or buds on trees. There are signs in the rocks telling of seismic changes in the earth’s crust, or more subtly speaking of people that came before us.
-
Gallery: autumn scenes around the world
In his poem 'To Autumn' John Keats describes the autumn we all know and love, with lingering warm weather and bountiful harvests. But he also celebrates later autumn days, when winter seems just over the horizon. Both have their beauty.
Or what about ...?
Gallery: the busyness of bees
Gallery: listening to trees
Gallery: growing in water
-
Gallery: seeing Ealing in black and white
It was the advent of the Great Western Railway in the mid nineteenth century that led to the scattered villages of Ealing, Gunnersbury and Pitshanger merging into unbroken residential areas, centred around the new station in what is now Ealing Broadway.
-
Gallery: the skyscrapers of Chicago
The mass production of inexpensive steel in the mid 19th century made it possible for urban planners to bring to life the idea of skyscrapers. And it all started in Chicago. The method had been tested in Liverpool, England, on the five storey Oriel Chambers building. But it was in Chicago that the capacity of steel to support taller buildings was first exploited.
-
Gallery: the tension of opposites
Contrast must be one of the most used words in photography. Usually we are talking about the lighting conditions for an image; the contrast between the light and dark areas. Sometimes it can be hard to balance these, if the contrast is great.
