Juxtaposition is often referred to as a literary device, placing two concepts close together to highlight their differences. But it is just as effective in visual arts, including photography. And these contrasting elements hopefully work together to elicit a response from the viewer.
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How often have you looked at a photo and immediately rejected it? Too bland, too flat, out of focus, poor composition… It may have looked good at the time you took it, but for one reason or another it didn't turn out as you'd hoped and planned.
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After any trip I like to explore how the photos I took might look in black and white. I never shoot in that medium, even on those occasions when I already feel it would be the best option, because it’s easy to transform from colour to monochrome but impossible to do the reverse in any realistic manner.
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There’s a tendency when we photograph something to want to fill the frame. Empty space around our subject can feel like a waste, while omitting anything may feel as if we’re not telling the whole story. But good composition is all about balance, and clutter in an image can make it hard to ‘read’.
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I love to seek out a local market when I travel; you discover so much about a place there. What people like to eat, how they dress, how they interact with each other (and you!) And markets are wonderful for photography. Whether like me you enjoy candid street photography or prefer to ask your subjects to pose, you will almost certainly get some great people images there. And the goods on sale also offer many photo opps.
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I often find myself drawn to photograph the little details I see around me, whether close to home or on my travels. So much so that I often come home to find I have lots of photos of the details of a building and none of the building as a whole to provide context.
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Even if you think you know the 'Twelve days of Christmas' song, I bet like me you forget some of the later gifts. Are there twelve drummers drumming, or eleven? Should there be ten pipers piping, or is that lords a-leaping? And so on.
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Photography, especially black and white photography, is all about light and darkness, and balancing the two. Too much of either and the photo is at best dull, at worst incomprehensible.
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My surprise birthday trip to Florence, a city I’ve long wanted to visit, was naturally wonderful. In three days of rather mixed weather (one wet, one cloudy, one sunny) we managed to see many of its sights (but missed more than we saw), wandered its streets, ate gelati every day and excellent meals every evening, and slept well in a beautiful old house in the Borgo Santa Croce.
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A shadow is fleeting. It can only last as long as the light that casts it. If the light disappears, so does the shadow. For this selection I have concentrated on shots that I consider to be primarily photographs of shadows.
