Just as humans (sadly) use knives and swords for attack and defence, so too do animals and plants. Whether it’s a thorn or spike to ward off predators, or a sharp tooth to attack their prey, there is always a point to sharpness in nature.
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You may be tired by now of me saying that Colombia is colourful, but hopefully not of seeing the evidence. Many of its small towns are as imbued with colour as the cities; indeed maybe more so as they don’t spill out into more drab commercial and industrial areas. Passing through even the smallest village I would spot murals on local bars, bright doors and windows on the houses.
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For most of us photos are an integral to our memories of life’s events. How we remember them is shaped by the moments we captured. In my travel photography I am usually juggling two aims. I want to capture the ‘what’, create a documentary record of each trip. But I’m also interested in ‘how’ I record and remember it, striving to create the best images I can.
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Colombia is one of the most colourful countries I’ve ever visited, possibly the most colourful. So it seems counter-intuitive to present it in black and white. Yet however colourful the destination there are always likely to be at least a few images that I feel merit experimentation. Ones in which form dominates the composition. Ones with strong contrasts and patterns.
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A number of you seemed to enjoy seeing my Colombian orchids. Now Denzil gives me an excuse to share some more flowers from that beautiful country.
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Colombia can claim to have one fifth of the world’s birds, an amazing 1,954 species. That said, we saw relatively few of them. This may be in part because we went to the wrong places at the wrong time of year. And in part because we’re not experts and neither did we do any specific bird-watching activities.
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If I had to choose a single word to associate with Colombia, it would be ‘colour’. Nowhere else, I believe, have I seen so many brightly painted houses as in some of its villages. And as for street art, I firmly believe the Colombians are obsessed!
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There’s a restraint, a rejection of what is not necessary, in Japanese art and architecture. What is left out is as important as, if not more important than, what is put in.
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Whether ancient and beautiful, old and battered, or newer and colourful, there was something about the doors in Nepal that charmed me. And yes, some could have come straight out of a fairy tale perhaps.
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I would never claim to be the only person to have noticed the things I photograph. But I do believe I often photograph things that not EVERYONE has noticed, or thought to photograph. When I travel I of course photograph the famous sights, the landscapes, the architecture. But I also like to capture small details that, while perhaps not unique to the country, are part of my personal memories of it.
