This weekend in Europe the clocks are being turned back. The already dark evenings will be darker as days are starting to shorten and nights lengthen. Finding light where we can becomes ever more precious.
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They say we should never go back. And yes, sometimes when we visit old half-remembered haunts we can be disappointed. They may have changed, and we almost certainly have done so. How pleasing when instead of disappointment we find delight!
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A recurrent theme in this blog is my contention that people are pretty much the same the world over when it comes to the basics. We all want to feel safe, to have enough to eat and to feel connected to others whom we love. What I have mentioned less often, is that we all also want to have fun from time to time.
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Irving Penn defined a good photograph as, 'one that communicates a fact, touches the heart and leaves the viewer a changed person for having seen it'. If I can do even one of those three things with an image, I’m satisfied!
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If like me you live in the Northern Hemisphere, there’s something magical in discovering the world of the Southern. Africa in particular seems to draw us to explore, with its vast plains and forests, still-wild spaces, fascinating animals and very different cultures. Maybe too there’s a lingering romantic sense of the continent as an unknown frontier to be opened up, despite the somewhat negative associations attached to our historic explorations there.
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The appeal of black and white portraiture lies in the way it simplifies the image. Without the distraction of colours, the focus shifts more to the subject’s face and expression. The eyes in particular seem to stand out more, and consequently as a viewer you often feel more connected to the person.
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Images of a sunrise as the sun reappears over the horizon, a seedling sprouting from barren soil, or a rainbow stretching across the sky are often used to symbolise hope. They represent new beginnings, growth, and the promise of better days ahead.
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As a photographer I’m often fascinated by the way my camera allows me to capture a single moment in another person’s life. Especially so when I travel, when I’m very conscious that my out of the ordinary adventure overlaps for that moment with their everyday. They are getting on with their regular lives while I am taking time out of mine.
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Observing or meeting children when we travel I realise that, even more than adults, they have far more in common with each other regardless of where they live than they do any differences. They enjoy play, they seek friendship, they need acceptance and respect. And of course they all need the basics of food, drink, shelter, education.
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If you cannot see a feeling, how can you photograph it? The answer is, by proxy. You photograph something that will evoke that feeling in the viewer, and/or you photograph a person evidently displaying that feeling.
