Every ancient mythology placed significant focus on our sun, recognising it as our essential source of light, heat, and life. Without it we would not exist, nor would anything on this planet. Today we understand the science behind the phenomenon, but to the ancients the reappearance of the sun each morning after the hours of darkness must have seemed like a daily miracle.
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There are purists who say that only the shot as it came out of the camera is ‘true’. Others allow for a bit of mild cropping and straightening, nothing more. But some of us like to go further in the post-production editing process. So I thought it was time I joined the One-to-Three Photo Processing Challenge.
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In recent years (well, not very recent, for obvious reasons!) I’ve often enjoyed celebrating my October birthday abroad. Sometimes these have been short trips planned just for that purpose; other times we just happened to be travelling at that time. Either way, it’s always a pleasure to mark the day with the variety of experiences that other countries offer.
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It’s all too easy perhaps to spot something photo-worthy, grab a couple of shots and move on. But I’ve found that the first shot you take, or even the third, is rarely the best. In the ‘old days’ of film photography, most of us could only afford to take two or three shots at most. If you wanted to come away with a memorable image it was important to take your time, walk around the subject and choose the best perspective.
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March has been a quiet month for photography, on the whole. It started slowly as I searched, sometimes in vain, for subjects that inspired me. Then halfway through the month spring started to arrive. Trees burst into blossom, shortly followed by my beloved magnolias.
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While the Osa Peninsula in Costa Rica’s southwest is remote and wild, the Nicoya Peninsula in the northwest is rather more developed as a tourist destination. Nevertheless Pacific waves still pound its shores and there are quiet corners to be found. After all, ‘developed’ in Costa Rica is a relative term!
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It seems to me that holding a camera gives a lot of people a sense of freedom. They appear more relaxed, less constrained by their surroundings. So what a great opportunity that is for the rest of us who are also carrying a camera with an eye to some street photography!
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When Beatrix Potter adapted Aesop’s fable about the town mouse and the country mouse, in her picture book The Tale of Johnny Town-Mouse, she concluded that tastes differ. Some of us seem born to city life, others are happiest in the country. I fall firmly into the first group.
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Earth’s story is told most clearly in its rocks. There the layers of the past are revealed to us, viewing in the present. And each of those rocks is shaped by the elements, evolving over time into natural sculptures, often of great beauty.
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In the ancient streets of Bukhara history weaves itself effortlessly around the present-day lives of its people. Here you get a real sense of continuity. The world of the Silk Road caravans isn’t preserved in the aspic of Khiva; nor tucked into islands among the modern-day bustle of Samarkand; it is an ever-present backdrop to daily life. To walk these streets, duck through the low arches of the caravanserai and trading domes, sit for a while over green tea by the pool of Lyab-i-Huaz; this is what people of this city have done for centuries.
