There’s something about both windows and doors that draws many photographers to capture them, isn’t there? Maybe it’s the intrigue of not knowing what lies within. Or perhaps it’s simply that their geometry is pleasing to the eye.
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Images of a sunrise as the sun reappears over the horizon, a seedling sprouting from barren soil, or a rainbow stretching across the sky are often used to symbolise hope. They represent new beginnings, growth, and the promise of better days ahead.
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Wherever you go in Mexico you will see skulls. Why? Because the skull in Mexican culture represents death and rebirth, the cycle of life. People here believe that the afterlife is as important if not more important than your life on earth. The skull symbolises both sides, life and the afterlife.
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As a photographer I’m often fascinated by the way my camera allows me to capture a single moment in another person’s life. Especially so when I travel, when I’m very conscious that my out of the ordinary adventure overlaps for that moment with their everyday. They are getting on with their regular lives while I am taking time out of mine.
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Observing or meeting children when we travel I realise that, even more than adults, they have far more in common with each other regardless of where they live than they do any differences. They enjoy play, they seek friendship, they need acceptance and respect. And of course they all need the basics of food, drink, shelter, education.
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While not exactly stormy, spring this year has definitely been wet and quite often cooler than normal. Yes, there have been odd days when it felt like winter was well behind us, with warm sunshine giving us all a lift. But within a couple of days the clouds had descended, the thermometer dropped, and the rain returned.
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If you cannot see a feeling, how can you photograph it? The answer is, by proxy. You photograph something that will evoke that feeling in the viewer, and/or you photograph a person evidently displaying that feeling.
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While I hope I can say of many of my photos that it ‘tells a story’, I have chosen to call this particular gallery 'Every picture tells a story' for a reason. As a song (and album) title, it fits perfectly with my theme, mixing images with music.
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'When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.' I find it hard to believe that I haven’t used that quote from Ansel Adams before!
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We can photograph our subject simply as it is, a faithful record. We can get creative, perhaps using black and white or playing with tone and structure, to produce an image close to the original but not purely representational of it. Or we can interpret the subject with such freedom that it becomes something other than it once was, an abstraction.
