The magic mirror in the Snow White fairy-tale always told the truth when asked, ‘Who is the fairest one of all?’. And a good mirror will always give a true reflection. But how interesting is that, photographically speaking? Isn’t it more fun to play around with distorted reflections, whether in mirrors or any other surface?
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There is something about a reflection that draws us as photographers. Is it the illusion of seeing double? Or the fact that we can capture double the beauty?
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How do you photograph silence? Photographing a sound seems challenging enough, being invisible; but the absence of sound even more so.
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Arguably it’s the fragility of glass that makes it so beautiful. Not only does it look lovely, we know how easily we could lose it. Glass has two main properties; we can look through it, or we can see the world reflected in it.
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Straddling the border between North Korea and China is a still-active volcano, Mount Paektu. Its last eruption was in 1903 and scientists consider that another one could be imminent, based on a trend of eruptions roughly 100 years apart. The crater lake, Lake Chon (‘Heaven Lake’) was formed in the 946 AD eruption.
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Reflections really add something to a landscape, perhaps because they allow us to ‘see double’. Already beautiful scenery is enhanced by being presented to us a second time, often rippled or distorted in an upside-down version of itself.
