We’re going on a scavenger hunt through our archives. To be honest that’s what I usually do for many challenges and it’s a great excuse for a rummage that will trigger lots of memories.
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The Arctic is a magical place, wild, bleak, hauntingly beautiful. It is also, surprisingly perhaps, full of colour. However there are plenty of scenes that lend themselves to black and white photography too.
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One of the first things I was told when I first started to take photos as a ten year old was, always have the sun behind you when you shoot. Rubbish! That will of course result in a scene that is evenly lit and easy to capture. But it may also result in a scene that lacks interest.
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There are many ways to learn. We can watch someone else and copy (or try to copy) what they do. We can read instructions and guidelines. We can listen while somebody tells us how to do something. Or we can get stuck in, have a go, and learn from our experiments and efforts.
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Although all black and white photos are monochrome photos, not all monochrome photos have to be black and white. Monochrome comes from the Greek monochromos meaning ‘having one colour’. But why shouldn’t that one colour be green, beige, or orange? Or for that matter, grey, red or blue?
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A childhood favourite is the alphabet book. For the English speakers amongst us, the last few letters of the alphabet always presented the biggest challenges for those creating these books. X was always ‘for Xylophone’, Y ‘for Yacht’ or occasionally ‘for Yak’, and Z usually ‘for Zebra’. But most letters offer a wide range of options, among them H.
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Not all pink is anaemic, it can often be ‘rich and glowing’. I’m not a fan of washed-out pastels in general, but pink doesn’t have to be washed out. Hot pinks pop, salmon pinks glow, even delicate pinks shimmer.
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Once upon a time all photos were black and white. With the advent of colour photography we had a choice and many of us make that choice according to subject matter. Others meanwhile prefer to stick only to one or the other medium. But some subjects are naturally black and white.
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For many of us of a certain age, it’s impossible to hear the word ‘mellow’ without immediately thinking ‘yellow’. Yellow can be rather harsh. But at the paler, creamier end of the spectrum it can be beautifully mellow.
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Woods (and forests) are lovely. But their very darkness and deepness can make them hard to do justice to as a photographer. One tree can merge into another, and another, and … It’s hard for the eye to find a single point of interest on which to settle and focus.
