Although all black and white photos are monochrome photos, not all monochrome photos have to be black and white. Monochrome comes from the Greek monochromos meaning ‘having one colour’. But why shouldn’t that one colour be green, beige, or orange? Or for that matter, grey, red or blue?
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A childhood favourite is the alphabet book. For the English speakers amongst us, the last few letters of the alphabet always presented the biggest challenges for those creating these books. X was always ‘for Xylophone’, Y ‘for Yacht’ or occasionally ‘for Yak’, and Z usually ‘for Zebra’. But most letters offer a wide range of options, among them H.
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Not all pink is anaemic, it can often be ‘rich and glowing’. I’m not a fan of washed-out pastels in general, but pink doesn’t have to be washed out. Hot pinks pop, salmon pinks glow, even delicate pinks shimmer.
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Once upon a time all photos were black and white. With the advent of colour photography we had a choice and many of us make that choice according to subject matter. Others meanwhile prefer to stick only to one or the other medium. But some subjects are naturally black and white.
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For many of us of a certain age, it’s impossible to hear the word ‘mellow’ without immediately thinking ‘yellow’. Yellow can be rather harsh. But at the paler, creamier end of the spectrum it can be beautifully mellow.
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Woods (and forests) are lovely. But their very darkness and deepness can make them hard to do justice to as a photographer. One tree can merge into another, and another, and … It’s hard for the eye to find a single point of interest on which to settle and focus.
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As children we are taught to follow the rules, whether those set by our parents, our school or society in general. And when we first start to take our photography seriously we discover that there are rules there too. It’s perhaps really only once you have learned these rules and are applying them instinctively that you can also learn when and how to break them.
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I wonder whether images ‘choose’ photographers? I think in a way they do, in the sense that any keen photographer will put themselves in the best position for potential pictures to choose them. They know where to go, where (and importantly) how to look.
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Neil Gaiman once said, 'Picking five favourite books is like picking the five body parts you'd most like not to lose.' If you replace the word ‘books’ in that quote with ‘photographs’ you will know exactly how I feel. I have a similar reaction when people ask me which are my top three / five / ten places I’ve visited.
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What we choose to leave out of a photograph matters as much as what we choose to include. And we are making such decisions every time we point our camera at a subject. But thanks to digital photography it is now very easy to make them retrospectively, when we come to edit our shots. Furthermore, we can take a single shot and test out a variety of options.
