There’s a tendency when we photograph something to want to fill the frame. Empty space around our subject can feel like a waste, while omitting anything may feel as if we’re not telling the whole story. But good composition is all about balance, and clutter in an image can make it hard to ‘read’.
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I love to seek out a local market when I travel; you discover so much about a place there. What people like to eat, how they dress, how they interact with each other (and you!) And markets are wonderful for photography. Whether like me you enjoy candid street photography or prefer to ask your subjects to pose, you will almost certainly get some great people images there. And the goods on sale also offer many photo opps.
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I often find myself drawn to photograph the little details I see around me, whether close to home or on my travels. So much so that I often come home to find I have lots of photos of the details of a building and none of the building as a whole to provide context.
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Even if you think you know the 'Twelve days of Christmas' song, I bet like me you forget some of the later gifts. Are there twelve drummers drumming, or eleven? Should there be ten pipers piping, or is that lords a-leaping? And so on.
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Photography, especially black and white photography, is all about light and darkness, and balancing the two. Too much of either and the photo is at best dull, at worst incomprehensible.
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My surprise birthday trip to Florence, a city I’ve long wanted to visit, was naturally wonderful. In three days of rather mixed weather (one wet, one cloudy, one sunny) we managed to see many of its sights (but missed more than we saw), wandered its streets, ate gelati every day and excellent meals every evening, and slept well in a beautiful old house in the Borgo Santa Croce.
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A shadow is fleeting. It can only last as long as the light that casts it. If the light disappears, so does the shadow. For this selection I have concentrated on shots that I consider to be primarily photographs of shadows.
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Last week I paid a brief visit to Liverpool. I stayed only one night and saw only a fraction of what the city has to offer. The weather was dull and grey, best suited to monochrome photography.
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People have been using clay and similar materials to shape objects both ornamental and practical for millennia. Today every culture has its ceramics traditions: forms and styles, decorative techniques, purposes. These often sculptural forms lend themselves to monochrome processing.
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It’s a sombre thought that even the most modern and stable of structures may one day become a ruin. Did the builders of the Inca cities, of the Egyptian pyramids or of the temples of Angkor stop to consider that they may not stand for ever?