Salvador Dali said that, 'Surrealism is destructive'. It seems counter-intuitive to think of art as destructive, when it is such a creative process. Surely the purpose of art is to construct? And photography, as an art-form, creates or constructs a record of a moment in time. So perhaps to apply Dali’s definition of Surrealism to our photography, we need to partially destroy our images and distort that record in post-production?
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Of course spring flowers are glorious in their own right. We love to see them both for their beauty and because they herald summer days to come. But I’ve shared so many in the past. So when Terri asked to see some fabulous seasonal florals I wanted to do something different.
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Bokeh is a Japanese word that refers to blur used deliberately to heighten the impact of a photo, by isolating its main subject. It is an aesthetic technique and shouldn’t of course be confused with poor focusing or camera shake (both of which I am also capable of at times!)
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There are purists who say that only the shot as it came out of the camera is ‘true’. Others allow for a bit of mild cropping and straightening, nothing more. But some of us like to go further in the post-production editing process. So I thought it was time I joined the One-to-Three Photo Processing Challenge.
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One possible twist to the usual alternatives of colour or black and white is the use of selective colour. This can look quite gimmicky, so I prefer to keep the colours muted to tone in better with the grey shades.
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Normally when I edit an image I do so with the intention of bringing out more clearly what I saw when I took it. However, sometimes it’s fun to take things to extremes.
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Near the English border with Wales sits the historic market town of Shrewsbury. Founded in the Middle Ages it still retains its medieval street patterns and some buildings from that time. It was an important wool trading centre for many centuries.
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Lisa has set an unusual challenge, the selective colour editing of photos. It’s one that really attracted me to have a go. I love fiddling with my photos, as regular readers will know (I call it editing but really it’s quite often just fiddling!) So the idea of removing much of the colour in an image to leave just a splash appealed to me.
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Who says photographs have to be faithful representations? Sometimes it’s fun to play around with images to create something that’s quite wildly different from the original subject matter.
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The world as we see it is full of colour. So it may seem counter-intuitive to take black and white photos, but by draining an image of colour you can draw attention to its other qualities. Texture, contrasting tones, patterns and shapes can all be more obvious in a monochrome shot.
