All of us who love to travel, and are fortunate enough to be able to do so, will I hope be looking back on a year filled with both familiar and foreign places. For most of us, 2022 was the year in which we began to feel comfortable travelling again. When, despite a few new forms to fill in and masks to be worn, perhaps reluctantly, on planes, the world opened up again and we could scratch that travel itch, relieve that homesickness ‘for the places we have never known’.
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There is a theme emerging in these monthly round-ups, a theme of bookends! I’ve already pointed out that while July was bookended by happy gatherings of family and friends, August was similarly bookended with funerals. And now we come to September and we are back to happier bookends: city breaks.
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If you want to understand the people of a city a great place to start is in one of their parks. Seeing them relaxing, at play, you can appreciate not how different they are from you but how similar.
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I never tire of wandering the streets of Paris; there is always so much to see and to photograph. From elegant buildings to quirky details and of course plenty of street art.
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Paris, like most cities, is full of colour. Street art, flower markets, shop windows, mellow old stone, green (or autumnal) trees … I could go on. But it is also full of striking details that translate well to monochrome images.
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Jean Cocteau said that, 'In Paris, everybody wants to be an actor; nobody is content to be a spectator'. I disagree. For me, there are few more pleasurable ways to pass the time in Paris than sitting on the terrace of a pavement café watching the world pass by.
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The Marais is one of the loveliest and most fashionable districts of Paris. The name means ‘marshland’ because the original village here was built on a marsh, but there are no signs of that these days! Instead there are elegant buildings, pretty squares and of course the Parisian staples of great little cafés.
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It’s hard to ignore the Tour Montparnasse. This 210 metre high skyscraper dominates the skyline on the southern fringes of central Paris. Its monolithic appearance has often been criticised as incongruous or inappropriate for this proudly elegant city.
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We only occasionally get the chance to watch a street artist at work. Somehow these works of art seem to appear almost magically on our streets, created perhaps overnight while we sleep? Some of course take many hours, even days, to complete. But others are much simpler and while they may have less impact still brighten our day.
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A year ago we were in Paris, on our first trip abroad since the pandemic had started. It felt strange, but good, to be travelling again after almost two years.
