In planning any trip most of us will have a list of must-sees, the sights that drove us to want to visit in the first place. For us, in the case of the Philippines, those sights included the rice terraces, hanging coffins and the tarsiers of Bohol. Our trip was built around these, but that left plenty of room to see much more.
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The Roman poet Horace said that 'a picture is a poem without words'. Of course he would not have known about photography, living as he did over two thousand years ago. But I’m sure if he had, he would have looked for poems in photos.
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Henri IV was a much-loved king of France, reigning from 1589 to 1610, when he was assassinated. Baptised a Catholic but raised a Protestant by his mother, he tried to balance the interests of both. Four years after his death a statue of him was placed on the Île de la Cité where it is crossed by the Pont Neuf, facing the Place Dauphine.
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Three enormous fists reach skywards, dominating the cityscape at the end of a long grassy avenue. Linked by a massive concrete belt they loom over visitors and passers-by. However this monument makes a statement not just through its grand scale but also the details of its design. This is a story told in numbers and in symbols.
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In Britain Amundsen is somewhat notorious as the guy who beat Captain Scott to the South Pole. In Norway however, and especially in Tromsø, he is regarded as a national hero.
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As we passed the point of the limit of the Arctic Circle on our Hurtigruten voyage we coukd see this otherwise invisible line marked on a globe on the small islet of Vikinge.
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When I visited Lviv in 2010 I described it on my Virtual Tourist page as a beautiful city ‘waiting in the wings’. By this I meant that it was ripe for tourism but hadn’t yet been discovered by the masses, nor did it yet have the infrastructure to deal with them. What it did have was beautiful churches with elaborate interiors; a lovely main square surrounded by historic townhouses; broad avenues and narrow winding streets; quirky cafés, a striking opera house and monuments of all kinds and styles.
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To leave a monument standing, to mothball it or to destroy it? That is a question that faces many countries right now, as they face up to an uncomfortable past. Maybe values have changed, better understandings emerged, or political systems been rejected. Do we want still to be surrounded by reminders of that past? Or is it justifiable to remove them, hide the memories?
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Sofia may have moved its many communist era monuments to a dedicated museum, but that doesn’t mean that the city is short of interesting public art pieces. And there is quite a variety, from the purely artistic to the historically significant.
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Riga was a city in which I quickly felt very comfortable. It has a compact old town with plenty to see but not too ‘aspic-like’; by which I mean that it felt both touristy and homely at the same time, somewhere I could imagine that the locals don’t feel too overwhelmed by the history and the visiting population. It is also a city of monuments.
