There’s a restraint, a rejection of what is not necessary, in Japanese art and architecture. What is left out is as important as, if not more important than, what is put in.
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If you take a walk along the Quayside in Newcastle you are unlikely to miss the striking building on the far side of the Tyne, in Gateshead. Situated in the shadow of the Tyne Bridge this is a concert venue with two main auditoria, a rehearsal space, a music education centre and a leisure destination with several bars and eating places. It is also a must-see, and must photograph, building!
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When I travel I always want not just to capture the big ‘sights’ but also the tiny details. I often photograph something that perhaps could be found anywhere: a leaf, a stone wall, a ripple on the water. But I found it here in THIS place and I want to capture it.
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Speaking figuratively, Sofia is not a black and white city. Its history is too complex, its architectural influences too diverse. But like any city it lends itself to black and white photography.
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Paris, like most cities, is full of colour. Street art, flower markets, shop windows, mellow old stone, green (or autumnal) trees … I could go on. But it is also full of striking details that translate well to monochrome images.
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When composing photos I find I usually do one of two things. I either follow the ‘rule of thirds’ (roughly) or I look for symmetry. The latter works best for architecture, for portraits (human or animal) and for some close-up and macro shots.
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While I have little interest in cars or motorbikes for themselves, I do find them interesting photographically speaking. And especially so old cars and shiny bikes!
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It’s all too easy perhaps to spot something photo-worthy, grab a couple of shots and move on. But I’ve found that the first shot you take, or even the third, is rarely the best. In the ‘old days’ of film photography, most of us could only afford to take two or three shots at most. If you wanted to come away with a memorable image it was important to take your time, walk around the subject and choose the best perspective.
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It seems to me that holding a camera gives a lot of people a sense of freedom. They appear more relaxed, less constrained by their surroundings. So what a great opportunity that is for the rest of us who are also carrying a camera with an eye to some street photography!
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It may seem contradictory, as we pass from winter to spring, to try to present that colourful season in black and white. Flowers are appearing, in shades of pink, yellow and more. Green leaves are sprouting on trees and bushes. Nature is coming to life in glorious technicolour!
