The capital of the DPRK, Pyongyang, has been developed as a showpiece for the country, demonstrating to both outsiders and the North Korean people the strength and power of the regime, and making a strong statement about the country’s ambitions to be self-reliant in the face of often hostile challenges from elsewhere – those challenges being of course both political and at times physical.
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Sometimes (often?) photography is more about serendipity than anything else. A purposeful photo outing is enjoyable of course, and often reaps great rewards; but arguably we derive the most pleasure from finding an unexpected subject for our lens just by chance? I visited a London gallery that I hadn’t been to before. The exhibition was not especially inspiring, but I fell in love with the gallery's spiral staircase. Or perhaps more accurately, I fell in love with the photographic possibilities it presented.
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I wonder which way you usually point your camera? I’m guessing that most of the time, like me, you point it forwards. Maybe you tilt up for a tall building or tree, or downwards to capture a plant or small animal. But what if we were to point it directly upwards or downwards? What would we see?
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Art Nouveau, or Jugendstil as it is also known, was an art and architecture movement of the late 19th to early 20th centuries, at its height 1890–1910. As an artistic philosophy it proposed that art should be a way of life, and that everyday items could be beautiful too. It was inspired by nature – flowers, animals, natural forms. In the old buildings of Riga it is at times at its most flamboyant and exuberant.
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Some of the most beautiful architecture I have seen has been in the Islamic world. Islamic art shuns the depiction of living figures, whether human or animal, partly to avoid any suggestion of idolatry and partly because it is believed that the creation of living forms is Allah’s prerogative. Instead the emphasis is on geometric forms as well as calligraphy and abstract floral motifs.
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When I first saw Stokesay Castle I thought that a house had been built on to an older stone castle, but in fact it is an exceptional example of a crenelated manor house from the late 13th century. This is how the better-off lived in the later Middle Ages.
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The most successful buildings are those in which form and function work in harmony. Buildings that not only look amazing but serve their purpose well. And also, buildings which reflect the culture of their location and contribute to it, rather than tug against it. The Louvre Abu Dhabi is one such building.
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Sofia is the only city in Europe where you will find places of worship for four major religions almost within sight of each other. Clustered in the vicinity of its Square of Tolerance are: an Eastern Orthodox church; a Roman Catholic cathedral; a mosque and a synagogue. This embodies the pride that Bulgarians have in their history of religious tolerance. Unlike some other countries in the region, its different faith communities have tended to coexist peacefully.
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Architecture could be said to have begun with geometry. Since earliest times, builders have imitated natural forms, such as circles. Pattern can be found everywhere in nature, and nature knows what it is doing; geometrical shapes are not only pleasing to the eye, they provide strength.
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There is something about a tale of a deserted city that tugs at the imagination. Here on this rocky ridge near Agra in Uttar Pradesh, the third Mughal emperor Akbar built a new capital: the walled city of Fatehpur Sikri, the ‘City of Victory’. But soon after its completion he abandoned his great city due to a lack of water at the site.
