In photography, when you choose to fill the frame with your subject, leaving out everything that surrounds it, you remove all distractions and by doing so force the viewer to look only at this one thing. This can be very impactful.
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While I sometimes enjoy the harmony of a perfectly symmetrical shot, on the whole I find the asymmetrical more interesting. An image that is off-centre is more dynamic and encourages the eye to explore rather than settling in one spot.
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It was the advent of the Great Western Railway in the mid nineteenth century that led to the scattered villages of Ealing, Gunnersbury and Pitshanger merging into unbroken residential areas, centred around the new station in what is now Ealing Broadway.
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Contrast must be one of the most used words in photography. Usually we are talking about the lighting conditions for an image; the contrast between the light and dark areas. Sometimes it can be hard to balance these, if the contrast is great.
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As one of my abiding memories of Chicago will be of the architecture, especially the variety in age and style of its skyscrapers, I can’t help but agree with Frank Gehry. He said of the city that, 'Chicago’s one of the rare places where architecture is more visible'.
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On our recent visit to Paris much of the time we simply walked. With no need to tick off the famous sights we instead strolled some of our favourite streets, explored new ones and checked out some less well-known places.
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The terms ‘black and white’ and ‘monochrome’ are often used synonymously in photography. But when you consider the meaning of the latter you quickly realise that they need not be the same thing. A black and white photo can be described as monochrome, but a monochrome image isn’t necessarily black and white. Monochrome simply means ‘one colour’, so any photo dominated by shades of a single colour can be said to be monochrome.
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It’s August, so where better place to be than the English seaside? Although truth be told I like our coastal areas much more in the winter months and maybe even more so in spring and autumn.
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With 7.888 billion people in our world it shouldn’t be hard to find someone interesting to photograph. Yet, among so many, how do we find the ones that stand out from the crowd? Which are the faces that speak to us? Which seem to tell a story that can be captured in a single shot? Perhaps it’s their clothing, their expression or what they are doing?
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When I first started visiting in the early 1980s Newcastle did seem like a city in black and white. Once a great industrial hub it had been hard hit by the closure of the shipyards and coal mines of the region.
