Let’s consider how much of your image is occupied by your main subject. Often the answer to that is, quite a lot of it. But you can take this to extremes, either filling the frame completely or leaving lots of empty space around your subject. Both can be effective, in different ways.
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While the flat lands East Anglia may lack scenic drama the big skies that arch overhead are often awesome. As we drove up to Norfolk at the end of July the silvery tones of a dappled mackerel sky begged to be photographed. But we had a party to go to and no time to stop. The following day, disappointingly, the sky was a uniform grey and a little drizzly after overnight rain. Today’s photography was clearly going to be all about details and subjects to be found at ground level!
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For those of us who grew up in the sixties, groovy was the feeling we all aspired to. Groovy was exciting, fun, cool (another sixties word!) Too young to really be part of hippy culture, it nevertheless influenced my tastes in fashion and music. Getting ‘in the groove’ was where I wanted to be, even if as a schoolgirl I was probably very far from being so!
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There is something magical about the sound of flowing water. Whether tumbling over rocks or moving more sedately, whether young and vigorous or older and more serene, a river has the power either to exhilarate and to calm.
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Islands are often special places, removed as much in their culture from the mainland as they are physically separate from it. Chiloé is no exception. This is a place of soft green hills, wild coasts and homely architecture. Famed for its wooden churches, sixteen of which are UNESCO listed, its people still more than half believe in the witches, ghost ships and forest gnomes that inhabit its mythologies.
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July may not be my favourite month (I prefer May or September). But there has been much to like about this past July, which was bookended with special celebrations.
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How good are you being self-critical when it comes to your photography? Can you easily pick out the best of your shots and are you comfortable rejecting those that have been less successful? I confess I’m pretty rubbish at it.
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One of my favourite types of holiday is a road trip in the US. To someone from a small island, the huge empty spaces and relatively quiet roads there evoke a sense of freedom and opportunity. Anything could happen here; anything could be just around the next corner.
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Salvador Dali said that, 'Surrealism is destructive'. It seems counter-intuitive to think of art as destructive, when it is such a creative process. Surely the purpose of art is to construct? And photography, as an art-form, creates or constructs a record of a moment in time. So perhaps to apply Dali’s definition of Surrealism to our photography, we need to partially destroy our images and distort that record in post-production?
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For my next set of Thursday Trios I am focusing on art. I’ve borrowed a quote from Camus, a French author and philosopher, an absurdist and existentialist. I've also arguably borrowed a certain sense of the absurd for this gallery, but I don’t claim it to be philosophical in any sense!
