To leave a monument standing, to mothball it or to destroy it? That is a question that faces many countries right now, as they face up to an uncomfortable past. Maybe values have changed, better understandings emerged, or political systems been rejected. Do we want still to be surrounded by reminders of that past? Or is it justifiable to remove them, hide the memories?
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Sofia may have moved its many communist era monuments to a dedicated museum, but that doesn’t mean that the city is short of interesting public art pieces. And there is quite a variety, from the purely artistic to the historically significant.
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It’s no secret that I am a big fan of street art. I don’t mean scrawled graffiti, or even more precisely worked ‘tags’. I mean art. Like many cities today, Sofia offers a dedicated street art tour; we saw signs advertising it in several places. But we chose not to take the tour, instead preferring to seek out street art at our own pace.
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I never tire of wandering the streets of Paris; there is always so much to see and to photograph. From elegant buildings to quirky details and of course plenty of street art.
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We only occasionally get the chance to watch a street artist at work. Somehow these works of art seem to appear almost magically on our streets, created perhaps overnight while we sleep? Some of course take many hours, even days, to complete. But others are much simpler and while they may have less impact still brighten our day.
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Burning Man is a unique event that takes place every year in the Black Rock Desert in Nevada, USA. But we are not in the deserts of Nevada; we are among the green hills of England’s Peak District.
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How many windows is too many? That was the question facing many seventeenth century property owners. In 1696 a window tax was introduced in England and Wales. The more windows a building had, the more its owner had to pay.
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For my next set of Thursday Trios I am focusing on art. I’ve borrowed a quote from Camus, a French author and philosopher, an absurdist and existentialist. I've also arguably borrowed a certain sense of the absurd for this gallery, but I don’t claim it to be philosophical in any sense!
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Vienna must be one of the most elegant cities in Europe. Its small scale gives it an air of intimacy that contrasts with the grandeur of many of its buildings. That’s an appealing combination.
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Riga was a city in which I quickly felt very comfortable. It has a compact old town with plenty to see but not too ‘aspic-like’; by which I mean that it felt both touristy and homely at the same time, somewhere I could imagine that the locals don’t feel too overwhelmed by the history and the visiting population. It is also a city of monuments.
