Arguably it’s the fragility of glass that makes it so beautiful. Not only does it look lovely, we know how easily we could lose it. Glass has two main properties; we can look through it, or we can see the world reflected in it.
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Straddling the border between North Korea and China is a still-active volcano, Mount Paektu. Its last eruption was in 1903 and scientists consider that another one could be imminent, based on a trend of eruptions roughly 100 years apart. The crater lake, Lake Chon (‘Heaven Lake’) was formed in the 946 AD eruption.
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To leave a monument standing, to mothball it or to destroy it? That is a question that faces many countries right now, as they face up to an uncomfortable past. Maybe values have changed, better understandings emerged, or political systems been rejected. Do we want still to be surrounded by reminders of that past? Or is it justifiable to remove them, hide the memories?
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Our visit to Indochina was only just over two years ago, yet in some ways it feels like a world away. A world barely touched by Covid, in which we didn’t question our ability to travel. Took it for granted, perhaps? Looking back at my photos I wonder why we didn’t realise that the disease already causing deaths and chaos in China would spread to engulf the whole world. Were we like ostriches, our heads in the sand? Or was it such an alien concept that we couldn’t envisage it?
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In the last few years, with the batterings the world has taken – Covid, war in Ukraine, prices spiralling – flowers have been among the constants that have kept many people’s spirits up. The pandemic in particular reminded many of us to value the little pleasures of life, and what gives more pleasure for its size than a flower?
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Sofia may have moved its many communist era monuments to a dedicated museum, but that doesn’t mean that the city is short of interesting public art pieces. And there is quite a variety, from the purely artistic to the historically significant.
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On Iceland’s beautiful, but dangerous Reynisfjara black lava beach signs warn of the risks of getting too close to the water’s edge where ‘sneaker waves’ have been known to catch out unwary tourists and drag them out to sea. This has to be one of the classic Icelandic landscapes.
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Often I observe some with a phone or camera taking a single photo of a sight and moving on, in a hurry to reach the next. In the pre-digital days when every picture taken meant a hit to your wallet, that made some sense. Today it strikes me as strange, but then I am rarely happy with my first shot of anything!
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It’s no secret that I am a big fan of street art. I don’t mean scrawled graffiti, or even more precisely worked ‘tags’. I mean art. Like many cities today, Sofia offers a dedicated street art tour; we saw signs advertising it in several places. But we chose not to take the tour, instead preferring to seek out street art at our own pace.
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According to Horace, 'A picture is a poem without words'. That would seem to be a good motto for a photography blog. But I like to write (and talk!) almost as much as I like to take photos. So my posts are usually a mix of the two, and I leave my readers to decide whether the pictures or the text say the most.
