In the centre of Riga is an imposing house, which has come to symbolise the city. What would in any case be a grand Art Nouveau structure is made special by the presence of two large cats on the turrets at either end.
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Like many photographers, I shoot quite a lot of images of flowers and that’s the first thing I think of when asked to showcase macro photography (which technically-speaking I don’t do) or close-up photography (which I do a lot). After that, my next thought will be insects. And I already have a few posts here on those lines. So what to do when Amanda asks for close ups and macros for this week’s Friendly Friday Challenge? The following photos are all taken from my travel archives, specifically my early 2020 trip to Indochina. In all of them I tried to…
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The sun bathes us in natural light, even when covered by cloud. But for part of each day it is hidden from our sight, lighting the other side of the world. Our ancient ancestors learned to make fires, to keep the threats that darkness held at bay (as well, of course, to keep themselves warm). Since then mankind has developed all sorts of artificial ways to mimic the light of the sun when it disappears at night.
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Like many such states, the Democratic People’s Republic of Korea does public art on a big scale. The many statues of the Dear Leaders are well known, but perhaps a little less so is this rather astounding example, the Monument to the Three Charters for National Reunification.
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Never go back, they say. And it’s a rule we tend to follow when it comes to travelling, but we make a few exceptions. And prime among those exceptions is Paris. We spent the first part of our honeymoon there, recently celebrated our fortieth anniversary there, and in between those two trips have visited together on five other occasions. And that doesn’t include a visit each back in our even more ancient and separate histories!
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Looking for the ‘ah-ha’ seems to me to be an excellent mantra for any photographer. Although in truth I sometimes search for that not by stepping back but by zooming in. For me the important thing is not to settle for the obvious, for the first angle that occurs to me.
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When you visit a city regularly, you can make time to explore new areas, as well as revisit favourite corners. And you can look for quirky details to photograph as well as the obvious sights. In Paris o, I was on the look out for colourful and interesting street art in the different neighbourhoods we explored.
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I wonder which way you usually point your camera? I’m guessing that most of the time, like me, you point it forwards. Maybe you tilt up for a tall building or tree, or downwards to capture a plant or small animal. But what if we were to point it directly upwards or downwards? What would we see?
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A huge pregnant woman, her body half cutaway to reveal her inner anatomy, strides across the grass. The distinctive curves of one of Henry Moore’s Seated Figures reclines near a lake. A delicate glass spire towers above the trees.
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The river Gambia runs through the heart of the country of the same name, splitting it into two narrow strips, north and south of the river. To the west is the Atlantic Ocean; on all other sides the country is surrounded by Senegal.
