T is the twentieth letter in the English language. It is, according to Wikipedia, the most commonly used consonant and the second-most commonly used letter in English-language texts. So it should be easy to find photographs of objects that begin with T, shouldn’t it?
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There is little I like more than the chance to see the world, or at least a tiny part of it, from a different perspective. And that often means getting high up to look down. Whether from a plane, a hot air balloon, a tall building or a mountain (preferably reached by cable car!), things always look different from above.
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If colour is the language of dreams, what about the many names we use to describe colours? Yes, we can say blue, red, green, yellow, pink, and everyone will have a mental image of each colour as it is named. But will we all have the same image? There are so many reds, so many greens, so many pinks … You get my drift!
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We all have photos that didn’t make the final cut when selecting the best from a day’s shooting, but which weren’t so disappointing that we discarded them. Maybe they are significant to us because of the subject matter even if we don’t feel they represent our best efforts. Or maybe we keep them planning to try to work on them in the future because we feel they have potential.
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Photographs are a wonderful way of capturing the world around us. Whether we’re aiming for pure realism or something more creative, for the most part we include recognisable subjects in our images. But without context, photos don't always give a proper sense of scale. They lack the cues, context, and perspective that our eyes and brain use to judge size and distance in the real world.
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When I searched for interesting quotes about zigzag lines I was surprised to find relatively few. But of those I found, many talked about journeys, which as a keen traveller appealed to me. After all, aren’t zigzag journeys often the most interesting and rewarding?
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Photography is all about contrasts of course. Without those variations in lightness and darkness our images would be dull and flat. Whether contrasting black and white in monochrome shots, or harmonising and contrasting the shades in our colour shots, effective contrast is key to a good result. But the term can also relate to our choice of subject matter.
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Shapes and lines are important elements in photographic composition, but how often do we stop to consider them? I think I am more aware of lines than I am of shapes, to be honest. I look for leading lines and for dynamic diagonals in particular, but I’m less likely to look for specific shapes.
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There’s a common mistake most of us make when starting out in photography. We spot an interesting subject, point the camera and take the picture. Great, we think, but what we often fail to do is take notice of what is behind our subject. The problem is that our brain has a habit of filtering out unnecessary information seen by our eyes, but the camera captures everything.
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I think we all recognise now that the genie is out of the bottle. Mankind has created AI and now needs to learn how to harness it for good while avoiding the many pitfalls.
