Some time ago I shared some favourite ‘blue’ images, accompanied by a quote from a favourite Blue song. But the world has an inexhaustible supply of shades of blue. So I’ve trawled through the photos from recent trips, and some older ones, to see what blues I could find that haven’t been shared before.
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It could be argued that every photograph is a pattern. A flat two-dimensional representation of a scene broken down into shapes, and each shape into pixels. The technology in our cameras stitches the pixels together to reproduce the scene, while we as photographers choose and compose that scene.
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The presence of diagonals in an image creates a sense of movement. Our eyes naturally follow the line to see where it leads. Often diagonals are used to create leading lines, taking the viewer on a journey through an image to a specific point you want to highlight.
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Often I observe some with a phone or camera taking a single photo of a sight and moving on, in a hurry to reach the next. In the pre-digital days when every picture taken meant a hit to your wallet, that made some sense. Today it strikes me as strange, but then I am rarely happy with my first shot of anything!
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One thing I learned during the pandemic was that it is possible to have a good time holidaying in my own country. With travel abroad impossible we turned to UK options and managed to have several lovely short trips in the spaces between lockdowns. And of course like everyone, we explored our immediate area more thoroughly than in the past, seeking out places we’d never previously visited or finding new surprises in old haunts.
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There is something about the idea of a corner. Who knows what might be around it? Whether on a city street or a quiet country lane, there is a sense of anticipation about what might be revealed.
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Thomas Jefferson said, 'The most valuable of all talents is that of never using two words when one will do.' This is a maxim I would do well to follow, but I too rarely succeed in doing so.
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There may be poetry in motion, but it’s not necessarily easy to capture that poetry in a still photograph. Despite that, we all try from time to time, and there are various techniques we can use.
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Let’s consider how much of your image is occupied by your main subject. Often the answer to that is, quite a lot of it. But you can take this to extremes, either filling the frame completely or leaving lots of empty space around your subject. Both can be effective, in different ways.
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For those of us who grew up in the sixties, groovy was the feeling we all aspired to. Groovy was exciting, fun, cool (another sixties word!) Too young to really be part of hippy culture, it nevertheless influenced my tastes in fashion and music. Getting ‘in the groove’ was where I wanted to be, even if as a schoolgirl I was probably very far from being so!
