A still image freezes time for a fraction of a second. Life stands still, and we don’t know what happened next. But a movie, while in reality a fast-changing sequence of still images, shows us life in motion. Is that an easier way to tell a story? Perhaps; however our imaginations alone can often create multiple stories out of a single image.
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The Roman poet Horace said that 'a picture is a poem without words'. Of course he would not have known about photography, living as he did over two thousand years ago. But I’m sure if he had, he would have looked for poems in photos.
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The colonial city of Vigan is a UNESCO World Heritage Site, for good reason. It is one of the few Spanish colonial towns in the Philippines to remain relatively intact. Its unique architecture fuses native Filipino and Oriental building styles with more typical colonial Spanish features.
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A good portrait photograph is shaped by the connection between two people, photographer and subject. Without that connection the image is at best less interesting, at worst lifeless. When we look at an interesting portrait we discover something about the person portrayed: their life, their character. But we only do so if the photographer has discovered this and brought it out in their image.
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I have been taking photos since I was ten years old, so for almost sixty years. As a child I photographed my family, mainly on family holidays. As I grew older I documented school trips abroad, my time at university, and of course holidays.
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The Ifugao are the indigenous people of the Banaue, the area of Luzon Island famed for its UNESCO listed rice terraces. The name means ‘people of the earth'.
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The people of Sagada traditionally followed a unique burial ritual, hanging their coffins from cliffs or placing them in a cave. They believed that the higher the dead were placed, the greater chance of their spirits reaching a higher nature in the afterlife.
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The locals in the Ifugao region of Luzon Island in the Philippines chew moma as protection against the cold. This is a mix of betel nut, betel leaf, tobacco and slaked lime powder (usually made from heating crushed sea or snail shells).
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Without the distraction of colours, the focus shifts more to the subject’s face and expression. The eyes in particular seem to stand out more, and consequently as a viewer you often feel more connected to the person. And the absence of colour results in an emphasis on shape and form, often making the people seem more significant than their surroundings.
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Is resilience something we are born with, or can it be developed? The answer seems to be, a bit of both. We all have an innate level of resilience, but our attitude to life and the knocks we receive along the way can strengthen or decrease it. Perhaps surprisingly, many people who have faced the toughest challenges demonstrate the highest levels of resilience; they have needed to.
