Last week I paid a brief visit to Liverpool. I stayed only one night and saw only a fraction of what the city has to offer. The weather was dull and grey, best suited to monochrome photography.
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People have been using clay and similar materials to shape objects both ornamental and practical for millennia. Today every culture has its ceramics traditions: forms and styles, decorative techniques, purposes. These often sculptural forms lend themselves to monochrome processing.
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The theme at last night’s meeting of the Ealing group of London Independent Photographers was ‘Light and dark’. We each showed a series of images with our own interpretation of that theme. For my contribution I decided to edit some of my travel photos in high contrast black and white. The theme that tied them together as a series was the use of an arch to frame the scene.
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It’s a sombre thought that even the most modern and stable of structures may one day become a ruin. Did the builders of the Inca cities, of the Egyptian pyramids or of the temples of Angkor stop to consider that they may not stand for ever?
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It’s hard to say why a symmetrical image is so pleasing to the eye. It seems that our brains are naturally drawn to symmetry, finding it aesthetically pleasing and visually satisfying. Symmetry induces a sense of order, harmony, and perfection.
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Christiane Ritter spent a winter in the harshest conditions that Svalbard can offer. Living in a tiny hut with her husband and another trapper, but sometimes left alone there for many days. Constant darkness, cut off from the world by snow and ice; her Arctic was not my Arctic. But I think editing some of my photos in black and white has helped to emphasise what sense of bleakness I did find in this stunning environment.
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I don’t own a cat and never have; not because I don’t like them but because I like them too much to subject one to the trials of our frequent absences from home. So instead I enjoy meeting cats when out walking in my neighbourhood, or anywhere else come to that! And I don’t believe I can walk past a cat without stopping to say hello and take a photo.
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The Arctic is a magical place, wild, bleak, hauntingly beautiful. It is also, surprisingly perhaps, full of colour. However there are plenty of scenes that lend themselves to black and white photography too.
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Who hasn’t been mesmerised at times by the sight and sound of the sea? Watching the movement of waves, whether on the shore or from a ship, can be almost hypnotising, or so I find.
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One of the first things I was told when I first started to take photos as a ten year old was, always have the sun behind you when you shoot. Rubbish! That will of course result in a scene that is evenly lit and easy to capture. But it may also result in a scene that lacks interest.
