It’s not enough to bring peace to a city, you also need prosperity. So while the transformation of Medellín from no-go drugs capital of Colombia to a safer and more visitable city started in its outlying comunas, the city centre has been vital to its continued development.
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How do you find peace in a city rife with crime and violence? During the 1980s and most of the 1990s Medellín had the reputation of being one of the most violent cities in the world.
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Bhaktapur lies a little to the east of Kathmandu. At its heart is a series of lanes and squares that seem little changed for centuries. Here more than anywhere in the country I felt immersed in the ageless atmosphere of Nepal.
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Bulgaria’s capital city intrigues and charms me. It seems to be in a state of constant flux, built on layers of history. One minute you are walking on a Roman road, the next staring up at 1950s Stalinist monoliths. Gold-domed cathedrals and churches dominate the vistas along wide boulevards while in side streets elegant villas sit side-by-side with their crumbling, neglected cousins.
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Paris, like most cities, is full of colour. Street art, flower markets, shop windows, mellow old stone, green (or autumnal) trees … I could go on. But it is also full of striking details that translate well to monochrome images.
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The Marais is one of the loveliest and most fashionable districts of Paris. The name means ‘marshland’ because the original village here was built on a marsh, but there are no signs of that these days! Instead there are elegant buildings, pretty squares and of course the Parisian staples of great little cafés.
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There is something about the idea of a corner. Who knows what might be around it? Whether on a city street or a quiet country lane, there is a sense of anticipation about what might be revealed.
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I visit Newcastle so often I no longer consider myself a tourist, though local Geordies may disagree! But I recently saw it anew through the eyes of tourists when I hosted a group of former Virtual Tourist members for a weekend meeting in the city.
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When Beatrix Potter adapted Aesop’s fable about the town mouse and the country mouse, in her picture book The Tale of Johnny Town-Mouse, she concluded that tastes differ. Some of us seem born to city life, others are happiest in the country. I fall firmly into the first group.
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When I photograph street art I am conscious that for the most part the success of the image depends on the quality of the piece of art itself, and that any creativity involved is that of the original artist, not mine as a photographer. So I often try to create something new by involving a passer-by, or two.
