Cambodia,  Monochrome Madness,  Photographic techniques,  Ruins,  Travel galleries

Gallery: the ruins of Angkor in black and white

I’m repeating myself with that statement, which first appeared in my post about Angkor Thom.  It bears repeating, as a reminder of the scale of what was achieved here. We only had time to visit a handful of the temples, but one thing that struck me at all those we saw was the incredible detail in the relief carvings. I thought for this week’s theme-free Monochrome Madness I would see how these looked in black and white. Why? Because monochrome is often good at highlighting texture and detail, and also because they are naturally of a single colour, i.e. ‘monochrome’.

Some of these details have appeared here before, but in colour. Others should be new to you, I hope. Among them you’ll see several examples of the many devata or apsara relief carvings. These are depictions of beautiful women, with ornate hairdos and jewellery, and bare-breasted. I’ve seen different explanations of the difference between the two, but the most common seems to be that apsaras are the dancing figures while devatas are standing still, facing forward as guardians of the temples. So that’s the explanation I’ve adopted.















I visited Angkor in February 2020

One Comment

  • Sue

    Great post, Sarah, with some wonderful details from the temples of Angkor. My favourite image is “Early morning lights on a devata in the Upper Gallery, Angkor Wat”

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