What is better than seeing a beautiful landscape captured in a photograph? Often, seeing the same landscape twice. A still lake, or if we’re lucky a still river, will allow us to double up the scene and often double the beauty. But we aren’t restricted to water when we look for reflective surfaces to enhance our images or give them a different twist.
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One of the joys of Italy for me is the warmth in the colours of the buildings. When I think of Italy I think of ochres, terracottas and umbers. So it may seem strange to photograph Italian scenes in black and white.
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Not all pink is anaemic, it can often be ‘rich and glowing’. I’m not a fan of washed-out pastels in general, but pink doesn’t have to be washed out. Hot pinks pop, salmon pinks glow, even delicate pinks shimmer.
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Once upon a time all photos were black and white. With the advent of colour photography we had a choice and many of us make that choice according to subject matter. Others meanwhile prefer to stick only to one or the other medium. But some subjects are naturally black and white.
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For many of us of a certain age, it’s impossible to hear the word ‘mellow’ without immediately thinking ‘yellow’. Yellow can be rather harsh. But at the paler, creamier end of the spectrum it can be beautifully mellow.
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Woods (and forests) are lovely. But their very darkness and deepness can make them hard to do justice to as a photographer. One tree can merge into another, and another, and … It’s hard for the eye to find a single point of interest on which to settle and focus.
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I seem to have a ridiculous number of streetlight photos! And their varied and interesting shapes and designs lend themselves to black and white photography. I find it surprising how many variations are possible in the design of something so relatively simple and everyday!
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As children we are taught to follow the rules, whether those set by our parents, our school or society in general. And when we first start to take our photography seriously we discover that there are rules there too. It’s perhaps really only once you have learned these rules and are applying them instinctively that you can also learn when and how to break them.
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The magic mirror in the Snow White fairy-tale always told the truth when asked, ‘Who is the fairest one of all?’. And a good mirror will always give a true reflection. But how interesting is that, photographically speaking? Isn’t it more fun to play around with distorted reflections, whether in mirrors or any other surface?
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I confess I have never been one to climb mountains, and certainly not these days! But I am inspired by the sight of them and by all the wonders of the world’s wilder places. And where better to see some of these than in a national park? I’m a particular admirer of the US national parks system, which owes much to the campaigning of John Muir.
