In the early morning mist we drifted slowly with the current, our boat man using his single oar simply to steer us. Here on the Narayani River, which skirts the northern boundary of Chitwan National Park in Nepal, the setting was beautiful, the atmosphere tranquil.
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Our visit to Indochina was only just over two years ago, yet in some ways it feels like a world away. A world barely touched by Covid, in which we didn’t question our ability to travel. Took it for granted, perhaps? Looking back at my photos I wonder why we didn’t realise that the disease already causing deaths and chaos in China would spread to engulf the whole world. Were we like ostriches, our heads in the sand? Or was it such an alien concept that we couldn’t envisage it?
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Sofia may have moved its many communist era monuments to a dedicated museum, but that doesn’t mean that the city is short of interesting public art pieces. And there is quite a variety, from the purely artistic to the historically significant.
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Speaking figuratively, Sofia is not a black and white city. Its history is too complex, its architectural influences too diverse. But like any city it lends itself to black and white photography.
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It’s no secret that I am a big fan of street art. I don’t mean scrawled graffiti, or even more precisely worked ‘tags’. I mean art. Like many cities today, Sofia offers a dedicated street art tour; we saw signs advertising it in several places. But we chose not to take the tour, instead preferring to seek out street art at our own pace.
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If you want to understand the people of a city a great place to start is in one of their parks. Seeing them relaxing, at play, you can appreciate not how different they are from you but how similar.
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I never tire of wandering the streets of Paris; there is always so much to see and to photograph. From elegant buildings to quirky details and of course plenty of street art.
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Paris, like most cities, is full of colour. Street art, flower markets, shop windows, mellow old stone, green (or autumnal) trees … I could go on. But it is also full of striking details that translate well to monochrome images.
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Jean Cocteau said that, 'In Paris, everybody wants to be an actor; nobody is content to be a spectator'. I disagree. For me, there are few more pleasurable ways to pass the time in Paris than sitting on the terrace of a pavement café watching the world pass by.
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You must have been living on Mars, or as a hermit, not to have heard that Queen Elizabeth II passed away last week. Here in the UK we are in a period of official mourning such as most of us have never experienced. Whether you are a fervent monarchist, staunch republican or (like me) somewhere on a scale between those two extremes, it’s hard not to be fascinated by the sense of history that surrounds us right now.
