If I had to choose a single word to associate with Colombia, it would be ‘colour’. Nowhere else, I believe, have I seen so many brightly painted houses as in some of its villages. And as for street art, I firmly believe the Colombians are obsessed!
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While a flower is transient, our images capture the memory of it forever. Maybe that’s why so many of us love to photograph them.
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Thankfully this January didn’t bring snow to London, but it was certainly more than cold enough to make any feet and fingers glow! Personally I can’t wait for the warmer days of spring, although we’re not hanging around here for that but are headed elsewhere in a hunt for heat!
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Silhouettes are a great way to create drama in an image. By eliminating details they evoke mystery and can be enigmatic. They take to extreme the balances in contrast that we all work with in our photography.
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How do we define a ‘good word’? One that is appropriate for the situation? One that does good rather than harm? Or one that sounds good when we hear it spoken or read it aloud? Or perhaps all three?
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There’s a restraint, a rejection of what is not necessary, in Japanese art and architecture. What is left out is as important as, if not more important than, what is put in.
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How do you photograph silence? Photographing a sound seems challenging enough, being invisible; but the absence of sound even more so.
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Whether ancient and beautiful, old and battered, or newer and colourful, there was something about the doors in Nepal that charmed me. And yes, some could have come straight out of a fairy tale perhaps.
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'With colour one obtains an energy that seems to stem from witchcraft' (Henri Matisse). Bright colours have the power to lift the spirits just as sunshine does.
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Photography, like all arts, is a subjective business. We all have our favourites. At times though it seems it’s almost as hard to judge other people’s work as it is our own. Nevertheless, we often do just that.
