Wat Phou is a pre-Angkorian Khmer Hindu temple at the foot of Mount Phou Khao. The Khmer chose this site because the unusual shape of the mountain peak seemed to them to resemble a Shiva linga. Today it was so hazy that the peak was hard to make out, but we had seen it yesterday in the late afternoon sunlight.
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There’s little I enjoy more when travelling than a visit to a local market. Large or small there is always plenty to see, and therefore to photograph. And you can gain great insights into the way of life in the country. What do local people eat? How do they dress? How indeed do they shop?
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From time to time while travelling I find myself taking photos on a theme, even if I hadn’t intended to when I set out. In Cuenca and Tallinn it was doors; in New Mexico it was Harley Davidson motorbikes. And in Indochina it was not only the motorbikes but the bike helmets.
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You only have to spend a few hours in Luang Prabang to see why this town regularly tops lists of travellers’ favourite places. Its laid-back vibe, its historic royal palace and perhaps most of all its beautiful Buddhist temples, over 30 in total. What struck me was the way that the monks and tourists co-exist, with full respect among (most of) the latter for the traditions of the former.
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As we got out of the car we could hear loud music coming from a house just down the road, and equally loud talking on a microphone. It drew us, inevitably, to investigate, and we were very glad that we did so. In the second of my Friendly Friday ‘Meet …’ challenges I would like to take you to a wedding in a small village near Siem Reap, Cambodia.
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In a clearing in the jungles of Angkor the Buddhist king King Jayavarman VII built a monastery, Rajavihara, meaning ‘Royal Monastery’. We know it today as Ta Prohm. Here lived more than 12,500 people, including 18 high priests and 615 dancers. The temple was wealthy, amassing riches such as gold, pearls and silks.
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Like many photographers, I shoot quite a lot of images of flowers and that’s the first thing I think of when asked to showcase macro photography (which technically-speaking I don’t do) or close-up photography (which I do a lot). After that, my next thought will be insects. And I already have a few posts here on those lines. So what to do when Amanda asks for close ups and macros for this week’s Friendly Friday Challenge? The following photos are all taken from my travel archives, specifically my early 2020 trip to Indochina. In all of them I tried to…
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I like nothing more than a boat trip. Whether we are by the sea, a lake or a river; if there is an opportunity to get out on the water I will take it. And the smaller the boat, the better. I have little interest in large cruise ships, the so-called ‘floating hotels’. I want to feel the movement, maybe reach out and dip my hand in the water, or feel the spray on my face as we cut through the waves.
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For most photographers the old town of Hoi An is a riot of colour, as it was for me too. The beautiful lanterns adorning the streets; the rich ochre of its buildings; the traditional costumes worn by many Vietnamese visitors; the boats bobbing on the river … But I also took a lot of street photos there, and traditionally most street photographers work in black and white.
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About an hour’s drive north of Phnom Penh lies the small market town of Skun. Normally a town like this would attract little attention from passing tourists, eager to reach the wonders of Angkor beyond. But Skun’s market has a treat in store; although that depends perhaps on your appetite for the unusual.
