If you take a walk along the Quayside in Newcastle you are unlikely to miss the striking building on the far side of the Tyne, in Gateshead. Situated in the shadow of the Tyne Bridge this is a concert venue with two main auditoria, a rehearsal space, a music education centre and a leisure destination with several bars and eating places. It is also a must-see, and must photograph, building!
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Tina’s proposal that for the last Lens Artists challenge of the year we share some shots taken in 2022 but not yet shared for any of the challenges sounds a simple ask. But I decided to make it harder for myself by searching out some favourite images not yet shared in any post.
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Some time ago I shared some favourite ‘blue’ images, accompanied by a quote from a favourite Blue song. But the world has an inexhaustible supply of shades of blue. So I’ve trawled through the photos from recent trips, and some older ones, to see what blues I could find that haven’t been shared before.
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It could be argued that every photograph is a pattern. A flat two-dimensional representation of a scene broken down into shapes, and each shape into pixels. The technology in our cameras stitches the pixels together to reproduce the scene, while we as photographers choose and compose that scene.
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In 1902 Charles Jones, Ealing’s borough surveyor, published a book. In it he referred to Ealing as the ‘Queen of Suburbs’. His aim of course was to promote the area as a place to live.
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The presence of diagonals in an image creates a sense of movement. Our eyes naturally follow the line to see where it leads. Often diagonals are used to create leading lines, taking the viewer on a journey through an image to a specific point you want to highlight.
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If public art can be defined as creative, decorative works that can be viewed by anyone at no cost, then the lorries of Nepal should rank as one of that country’s significant contributions to the genre!
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We often choose to go away at this time of year and this year was no exception. At the end of October and through the first part of this month we were travelling in Nepal.
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Paved streets gently wind uphill, lined with brick houses three or more stories high. Every door, every window is surrounded by exquisitely carved wood. Locals sit chatting, their day’s work over, or watch from an upper window.
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Are there places you know and love which you hesitate to tell others about, because you are tempted to keep them to yourself? Places relatively unknown that you fear might become spoiled if discovered by too many? And yet, they are so lovely you can’t resist singing their praises!
