There’s a tendency when we photograph something to want to fill the frame. Empty space around our subject can feel like a waste, while omitting anything may feel as if we’re not telling the whole story. But good composition is all about balance, and clutter in an image can make it hard to ‘read’.
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I often find myself drawn to photograph the little details I see around me, whether close to home or on my travels. So much so that I often come home to find I have lots of photos of the details of a building and none of the building as a whole to provide context.
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Looking back at favourite photos can have a positive effect. They remind you of good times in the past and offer the promise of more good times in the future. Even when the memories they hold are sometimes painful, they are often also precious. But any keen photographer will also have favourites based not on the subject but on the photo itself.
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Isn’t it part of human nature to grasp anything we perceive as a last chance? This week the Lens Artists team offer us a last chance, namely the opportunity to share some photos taken this year but not (yet) used.
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I may be biased but I do think London does Christmas rather well. From the lights in the West End to light trails in some of our most beautiful parks and gardens, from shop window displays to those in people’s homes … from late November the whole city starts to take on a festive air.
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If you could choose a superpower, what would you opt for? Many of us, I think, would choose the ability to fly. Haven’t you sometimes watched a bird ride the thermals and wish that you could do the same? Or looked down at the earth from a plane and wish to be able to enjoy such views all the time?
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I think many of us are drawn to the mysterious. We like to wonder about things only half seen. And we all share a sense of curiosity. In fact, humans evolved to explore the unknown, because doing so helped us survive; to find food and shelter, and to learn how to adapt and thrive.
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Every landscape photographer knows the sense of disappointment, when the beauty and drama of the scene in front of them fails to come through in their images. We can capture the view, yes, but it’s harder to capture the feelings that view induces.
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A shadow is fleeting. It can only last as long as the light that casts it. If the light disappears, so does the shadow. For this selection I have concentrated on shots that I consider to be primarily photographs of shadows.
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Walk down any street in any city and you will be confronted by a myriad of signs. There are the obvious ones telling you the name of the street, and those giving instructions or advice to drivers. ‘Junction ahead’. ‘One way street’. ‘Watch out for pedestrians’. And so on. Much more interesting though are the random unofficial signs.
