Colombia’s Villa de Leyva is one of those places where time seems to have stopped still. Or at least, it would seem that way were it not for the large number of visitors, both Colombian and international, who descend on the town to see its perfectly preserved colonial architecture and huge main square. This is a town that is as much museum as place to live.
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If I had to choose a single word to associate with Colombia, it would be ‘colour’. Nowhere else, I believe, have I seen so many brightly painted houses as in some of its villages. And as for street art, I firmly believe the Colombians are obsessed!
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While a flower is transient, our images capture the memory of it forever. Maybe that’s why so many of us love to photograph them.
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Thankfully this January didn’t bring snow to London, but it was certainly more than cold enough to make any feet and fingers glow! Personally I can’t wait for the warmer days of spring, although we’re not hanging around here for that but are headed elsewhere in a hunt for heat!
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Patan is said to be one of the oldest Buddhist cities in the world. It is also known as Lalitpur, which means the City of Beauty. The name recognises its tradition of arts and crafts which continue to define the city.
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Silhouettes are a great way to create drama in an image. By eliminating details they evoke mystery and can be enigmatic. They take to extreme the balances in contrast that we all work with in our photography.
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When I travel I am always curious about the people who inhabit the places I visit. I seek to understand their way of life and observe how it differs from, or is similar to, my own. But there are other people who populate my travels, the people who ONCE lived in these lands.
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How do we define a ‘good word’? One that is appropriate for the situation? One that does good rather than harm? Or one that sounds good when we hear it spoken or read it aloud? Or perhaps all three?
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There’s a restraint, a rejection of what is not necessary, in Japanese art and architecture. What is left out is as important as, if not more important than, what is put in.
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How do you photograph silence? Photographing a sound seems challenging enough, being invisible; but the absence of sound even more so.
