Fadiouth is an island village, and a rather unique one. It is also known as Shell Island, and the reason for this is pretty obvious; it is built on layers and layers of shells. These have accumulated over the centuries as the locals subsisted on cockle fishing in the shallows of the mangrove lagoons and simply discarded the shells, or used them as building materials.
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There is something a little bit different about San Antonio Palopo, one of the smaller villages on Lake Atitlà n. Most of the villages in this part of Guatemala are Tz'utujil, where bright reds and embroidered flowers are the preferred shades for huipiles, the traditional embroidered blouses. But the people of this village are Cakchiquel Maya; and almost without exception every woman and girl wears the same lovely shades of blue in narrow vertical stripes.
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Can you change the world, or at least one village, with art? It seems that in several parts of the world, that idea is taking hold. In this out of the way spot a group of young Polish artists have painted portraits of famous people on the walls alongside those of villagers.
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It has become quite usual to see murals on many of the walls of our cities. Whether we call it graffiti or street art; whether we love it or hate it; it is part of the urban landscape. But do we expect to see it in a remote rural village in the Gambia?
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The village of Narlai in Rajasthan would be completely off the tourist track were it not for the hotel that has been created in the former hunting lodge of Jodhpur’s royal family. It is a small village which faces some of the same challenges as rural communities everywhere. Its population is declining as younger people drift away, tempted by big city life and its wider opportunities.
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The scent of wood smoke hangs in the air. Children play in the dusty soil. Small pigs, chickens and dogs wander at will between the wooden houses. And inside one a blacksmith is at work, shaping a machete over glowing coals. This is Phou Taen Khamu, home to some of the Khamu people, one of Laos’ minority ethnic tribes.
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There are two ways to get to Taos from Santa Fe. There is the quicker (but still pretty) Low Road, and the more dramatically scenic and historically interesting High Road. This winds through the Sangre de Cristo Mountains through high desert, forests and tiny communities. On the way there are stories to be discovered, stunning landscapes to marvel at and picture-perfect churches to explore.
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As our boat neared the jetty some village children ran to meet us. Whether in excitement at the break in the routine of the day, or in expectation that tourists meant tips, I wasn't sure - probably a mix of the two. I couldn't help but reflect how differently the boats docking here would have been greeted in the past.
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'Please treat the church and houses with care; we have given up our homes where many of us lived for generations to help win the war to keep men free. We shall return one day and thank you for treating the village kindly.'
