How do you photograph silence? Photographing a sound seems challenging enough, being invisible; but the absence of sound even more so.
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Grey probably gets a bad name as a colour. We think of it as rather dull. We associate it with gloomy weather, with an absence of light and brightness. But it has its admirers. Hopefully I can demonstrate that if you look closely you will find beauty in grey.
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There are plenty of quotes that encourage us to take the plunge. We all understand the concept. Be brave, don’t hesitate, don’t hold back. We can apply this to our working lives (go for that promotion!), and our personal lives (don’t wait, travel, book that flight, train for that marathon!)
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All of us who love to travel, and are fortunate enough to be able to do so, will I hope be looking back on a year filled with both familiar and foreign places. For most of us, 2022 was the year in which we began to feel comfortable travelling again. When, despite a few new forms to fill in and masks to be worn, perhaps reluctantly, on planes, the world opened up again and we could scratch that travel itch, relieve that homesickness ‘for the places we have never known’.
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Some time ago I shared some favourite ‘blue’ images, accompanied by a quote from a favourite Blue song. But the world has an inexhaustible supply of shades of blue. So I’ve trawled through the photos from recent trips, and some older ones, to see what blues I could find that haven’t been shared before.
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In 1902 Charles Jones, Ealing’s borough surveyor, published a book. In it he referred to Ealing as the ‘Queen of Suburbs’. His aim of course was to promote the area as a place to live.
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Paved streets gently wind uphill, lined with brick houses three or more stories high. Every door, every window is surrounded by exquisitely carved wood. Locals sit chatting, their day’s work over, or watch from an upper window.
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We rode a cable car to the top of a mountain to find a Hindu temple that draws thousands of believers. The small town that has sprung up to serve their needs is full of shops selling garlands, offerings and even chickens and goats for sacrifices.
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Arguably it’s the fragility of glass that makes it so beautiful. Not only does it look lovely, we know how easily we could lose it. Glass has two main properties; we can look through it, or we can see the world reflected in it.
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Our visit to Indochina was only just over two years ago, yet in some ways it feels like a world away. A world barely touched by Covid, in which we didn’t question our ability to travel. Took it for granted, perhaps? Looking back at my photos I wonder why we didn’t realise that the disease already causing deaths and chaos in China would spread to engulf the whole world. Were we like ostriches, our heads in the sand? Or was it such an alien concept that we couldn’t envisage it?
