The Hurtigruten line is first and foremost a postal service and ferry, although it caters well to tourists too with a cruise-like offering of quality food, excursions and on-board lectures. Many of the stops the ships make are brief, typically twenty minutes. Supplies for these small coastal towns and villages are off-loaded, post and parcels collected. A few passengers embark or disembark. Most are locals, visiting family or returning home after time away. Only a handful will be tourists, hikers perhaps.
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Opinion is divided on street art / graffiti. Some consider it vandalism, others (including me) enjoy the way it brightens a city. Great street art can be beautiful; it can make you think; it can transform a district. So of course I was on the lookout for street art in Tirana, as I am everywhere I go.
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Just as humans (sadly) use knives and swords for attack and defence, so too do animals and plants. Whether it’s a thorn or spike to ward off predators, or a sharp tooth to attack their prey, there is always a point to sharpness in nature.
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Historically, Getsemani is the area of Cartagena where African slaves lived during colonial times. The Spanish had imported them (after they’d killed off most of the native population) to build their fortifications: the city walls and the Castillo San Felipe de Barajas. They were housed here, outside the city walls, away from the grand homes of the soldiers and merchants who controlled it.
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You can’t really miss the unique style of Colombia’s most famous artist. Whether on canvas or in sculpture, his figures are exaggeratedly rotund. The innate humour of these people, and animals, is often offset by sharp political commentary or by pensive contemplation of his own life and family. Indeed the theme of family is central to much of his work.
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How do you find peace in a city rife with crime and violence? During the 1980s and most of the 1990s Medellín had the reputation of being one of the most violent cities in the world.
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If I had to choose a single word to associate with Colombia, it would be ‘colour’. Nowhere else, I believe, have I seen so many brightly painted houses as in some of its villages. And as for street art, I firmly believe the Colombians are obsessed!
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A new sight has recently appeared in the hills above Pokhara. A huge statue of Lord Shiva, the second largest in Nepal, sits serenely looking out over the foothills. And at his back are the mighty Himalayas.
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If public art can be defined as creative, decorative works that can be viewed by anyone at no cost, then the lorries of Nepal should rank as one of that country’s significant contributions to the genre!
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To leave a monument standing, to mothball it or to destroy it? That is a question that faces many countries right now, as they face up to an uncomfortable past. Maybe values have changed, better understandings emerged, or political systems been rejected. Do we want still to be surrounded by reminders of that past? Or is it justifiable to remove them, hide the memories?
