Once upon a time all photos were black and white. With the advent of colour photography we had a choice and many of us make that choice according to subject matter. Others meanwhile prefer to stick only to one or the other medium. But some subjects are naturally black and white.
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Woods (and forests) are lovely. But their very darkness and deepness can make them hard to do justice to as a photographer. One tree can merge into another, and another, and … It’s hard for the eye to find a single point of interest on which to settle and focus.
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I think we humans must always have considered flight as something magical. After all, we can travel easily over the ground but without some supporting device are unable to leave it. Consider how many mythical creatures have the power of flight, from fairies to winged horses to dragons.
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I seem to have a ridiculous number of streetlight photos! And their varied and interesting shapes and designs lend themselves to black and white photography. I find it surprising how many variations are possible in the design of something so relatively simple and everyday!
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The magic mirror in the Snow White fairy-tale always told the truth when asked, ‘Who is the fairest one of all?’. And a good mirror will always give a true reflection. But how interesting is that, photographically speaking? Isn’t it more fun to play around with distorted reflections, whether in mirrors or any other surface?
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I confess I have never been one to climb mountains, and certainly not these days! But I am inspired by the sight of them and by all the wonders of the world’s wilder places. And where better to see some of these than in a national park? I’m a particular admirer of the US national parks system, which owes much to the campaigning of John Muir.
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Spring is the most colourful of seasons so how can we best capture its wonders in monochrome? The colours of spring are special to us as we transition from the muted, often monochromatic tones of winter to a vibrant explosion of life and renewal. So what happens if we remove those colours from our photos?
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The first colour many of us think of when we hear the word ‘night’ might well be black. But as Van Gogh famously reminded us, there are many more colours to be seen then too. And he made his remark before the advent of our brightly lit cities, where many colours are more evident at night than black!
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If a black and white photograph is a 'departure from reality' (and surely it is), then why are so many photographers still drawn to taking them? And what is their appeal for the viewer? Is it merely nostalgia as some have claimed? After all, the oldest among us grew up I'm a world of black and white films, TV and family snapshots.
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What we choose to leave out of a photograph matters as much as what we choose to include. And we are making such decisions every time we point our camera at a subject. But thanks to digital photography it is now very easy to make them retrospectively, when we come to edit our shots. Furthermore, we can take a single shot and test out a variety of options.
