Madagascar is a colourful country! The landscapes are beautiful and for the most part lush and green. The wildlife is often colourful too. And in villages and towns there are lively markets, while hotel grounds are planted with pretty flowers. And yet, I can never resist the temptation to experiment with black and white edits
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There are a lot of reasons to visit Madagascar, but for most people the biggest draw is lemurs. These cute animals are endemic to the country, having evolved there separately to apes and monkeys, their closest relatives. And of all the lemurs the one I most wanted to see, and hear, was the Indri.
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In photography, when you choose to fill the frame with your subject, leaving out everything that surrounds it, you remove all distractions and by doing so force the viewer to look only at this one thing. This can be very impactful.
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While I sometimes enjoy the harmony of a perfectly symmetrical shot, on the whole I find the asymmetrical more interesting. An image that is off-centre is more dynamic and encourages the eye to explore rather than settling in one spot.
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I photographed this black and white ruffed lemur on Lemur Island, a private reserve in the grounds of one of the Andisibe lodges.
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These tiny creatures are Brookesia Minima chameleons. Our guide found them for us on a walk in the Montaigne d'Ambre national park, by rifling through leaf litter at the base of a tree.
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This is a tenrec, specifically I believe a lowland streaked tenrec. We saw him on a night walk in the Andasibe-Mantadia National Park area. Tenrecs are endemic to Madagascar and this particular species lives in the eastern part of the country.
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Old Town is not, somewhat to my surprise, the old heart of Chicago, but rather one of its neighbourhoods. It takes its name from art fairs held in this area in the 1940s, ‘Old Town Holidays’. However, it is certainly home to many buildings older than most in the city. There are Victorian era houses and even one of just seven buildings to survive the Great Chicago Fire of 1871.
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Our world is full of signs, both those we erect ourselves to convey a message, and the more subtle ones we can read in landscapes and nature. The latter include the signs that speak of changing seasons, like autumn leaves or buds on trees. There are signs in the rocks telling of seismic changes in the earth’s crust, or more subtly speaking of people that came before us.
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In his poem 'To Autumn' John Keats describes the autumn we all know and love, with lingering warm weather and bountiful harvests. But he also celebrates later autumn days, when winter seems just over the horizon. Both have their beauty.
