Without the distraction of colours, the focus shifts more to the subject’s face and expression. The eyes in particular seem to stand out more, and consequently as a viewer you often feel more connected to the person. And the absence of colour results in an emphasis on shape and form, often making the people seem more significant than their surroundings.
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Perhaps because Britain is a relatively small island, many of us are drawn to the sea. After all, we nearly all live within a few hours drive of the coast. We grew up with seaside holidays, day trips to the beach. We are known as a ‘nation of seafarers’, based on those days when ‘Britannia ruled the waves’.
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Wherever we travel in the world we find cities building and rebuilding themselves. From Pyongyang in North Korea to Seattle on the west coast of the US and also back at home in London, there is no dearth of modern architecture to love or loathe.
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First, a disclaimer: in calling this gallery ‘colours that complement’ I don’t mean 'compliment'. They won't be telling you how great your latest blog post was or how good you look today! No, today we are looking at colour theory.
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T is the twentieth letter in the English language. It is, according to Wikipedia, the most commonly used consonant and the second-most commonly used letter in English-language texts. So it should be easy to find photographs of objects that begin with T, shouldn’t it?
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There is little I like more than the chance to see the world, or at least a tiny part of it, from a different perspective. And that often means getting high up to look down. Whether from a plane, a hot air balloon, a tall building or a mountain (preferably reached by cable car!), things always look different from above.
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I’m not a fan of living in the past. Nostalgia can be a dangerous exercise and too often people look back with rose-tinted glasses at a past that never really existed. But I do enjoy looking through sepia-tinted glasses from time to time!
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The choice between colour or monochrome for a photo is a very subjective one. Some people simply don’t like black and white photography, seeing it as old-fashioned, unnatural and unnecessary. Why remove the colour from a scene, they ask, when we see the world in colour. Why show things as less vibrant, less varied, less colourful than they really are?
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If you visit a city only to see its famous sights, you are missing out on much of what makes that city what it is. The people who live there may do so against the backdrop of its grand buildings, iconic monuments, parks and so on, but for the most part those things are of secondary importance to their daily lives. If you want to really get to know a city you need also to observe those people.
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We all have photos that didn’t make the final cut when selecting the best from a day’s shooting, but which weren’t so disappointing that we discarded them. Maybe they are significant to us because of the subject matter even if we don’t feel they represent our best efforts. Or maybe we keep them planning to try to work on them in the future because we feel they have potential.
