There is nothing ordinary about a leaf. There is so much variety in their shapes and textures, and in their colours of course, especially (but not only) in autumn. They are endlessly satisfying to photograph because of those textures and shapes just as much as for their colours.
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Photography, especially black and white photography, is all about light and darkness, and balancing the two. Too much of either and the photo is at best dull, at worst incomprehensible.
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A photograph freezes time, just as a stopped clock may appear to do. The camera captures a single moment and preserves it, while life goes on. The person walking down the street continues to walk. The bird above your head continues to fly. The sun moves across the sky and the hands of the clocks still turn. But in your photo, all motion is paused.
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My surprise birthday trip to Florence, a city I’ve long wanted to visit, was naturally wonderful. In three days of rather mixed weather (one wet, one cloudy, one sunny) we managed to see many of its sights (but missed more than we saw), wandered its streets, ate gelati every day and excellent meals every evening, and slept well in a beautiful old house in the Borgo Santa Croce.
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A shadow is fleeting. It can only last as long as the light that casts it. If the light disappears, so does the shadow. For this selection I have concentrated on shots that I consider to be primarily photographs of shadows.
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Last week I paid a brief visit to Liverpool. I stayed only one night and saw only a fraction of what the city has to offer. The weather was dull and grey, best suited to monochrome photography.
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Photography can be a tricky medium. To all intents and purposes, it appears to provide a faithful representation of a true scene. But ever since it was first invented photographers have found ways to fool the viewer. Creating double exposures in the darkroom, adding details by hand or removing them …
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People have been using clay and similar materials to shape objects both ornamental and practical for millennia. Today every culture has its ceramics traditions: forms and styles, decorative techniques, purposes. These often sculptural forms lend themselves to monochrome processing.
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The soft delicacy of flower petals can give them an ethereal, dreamlike quality. And a bit of creative photo editing can enhance that impression, A blurred background, combined with soft focus, can make the flowers seem to float in a hazy, dreamy space.
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The theme at last night’s meeting of the Ealing group of London Independent Photographers was ‘Light and dark’. We each showed a series of images with our own interpretation of that theme. For my contribution I decided to edit some of my travel photos in high contrast black and white. The theme that tied them together as a series was the use of an arch to frame the scene.
