Silhouettes are a great way to create drama in an image. By eliminating details they evoke mystery and can be enigmatic. They take to extreme the balances in contrast that we all work with in our photography.
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When I travel I am always curious about the people who inhabit the places I visit. I seek to understand their way of life and observe how it differs from, or is similar to, my own. But there are other people who populate my travels, the people who ONCE lived in these lands.
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There’s a restraint, a rejection of what is not necessary, in Japanese art and architecture. What is left out is as important as, if not more important than, what is put in.
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How do you photograph silence? Photographing a sound seems challenging enough, being invisible; but the absence of sound even more so.
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Whether ancient and beautiful, old and battered, or newer and colourful, there was something about the doors in Nepal that charmed me. And yes, some could have come straight out of a fairy tale perhaps.
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'With colour one obtains an energy that seems to stem from witchcraft' (Henri Matisse). Bright colours have the power to lift the spirits just as sunshine does.
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Grey probably gets a bad name as a colour. We think of it as rather dull. We associate it with gloomy weather, with an absence of light and brightness. But it has its admirers. Hopefully I can demonstrate that if you look closely you will find beauty in grey.
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One of the (many) things I like to photograph when I travel are the various buildings I see. Buildings tell us so much about how people live, how they work, how they worship. Or, if they are old buildings, how they once lived/worked/worshipped.
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Of course the main reason to visit Siem Reap is to see the temples of Angkor. But it’s possible to get ‘templed out’ so it’s good that there are alternative activities and places to explore between temple visits.
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At the southern tip of a spit of land on the coast of Senegal, which separates the sea from the waters of the Saloum, lies the small village of Djiffer. Its narrow strip of houses is thus squeezed between the waters of the Atlantic to the west and the lagoons of the Sine Saloum delta to the east. The Atlantic Ocean to the west is continually nibbling at its sandy shores in an effort to meet up with the waters of the Saloum. People living here are doing so on borrowed time.
