In a clearing in the jungles of Angkor the Buddhist king King Jayavarman VII built a monastery, Rajavihara, meaning ‘Royal Monastery’. We know it today as Ta Prohm. Here lived more than 12,500 people, including 18 high priests and 615 dancers. The temple was wealthy, amassing riches such as gold, pearls and silks.
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I’m coming late to Cee’s shapes challenge this week, Circles and Wheels, but I couldn’t resist joining in as I love to look for shapes in my photography. I’ve trawled through the archives of photos taken at home and abroad, and found what I hope is an interesting mix!
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Like many photographers, I shoot quite a lot of images of flowers and that’s the first thing I think of when asked to showcase macro photography (which technically-speaking I don’t do) or close-up photography (which I do a lot). After that, my next thought will be insects. And I already have a few posts here on those lines. So what to do when Amanda asks for close ups and macros for this week’s Friendly Friday Challenge? The following photos are all taken from my travel archives, specifically my early 2020 trip to Indochina. In all of them I tried to…
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The sun bathes us in natural light, even when covered by cloud. But for part of each day it is hidden from our sight, lighting the other side of the world. Our ancient ancestors learned to make fires, to keep the threats that darkness held at bay (as well, of course, to keep themselves warm). Since then mankind has developed all sorts of artificial ways to mimic the light of the sun when it disappears at night.
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Looking for the ‘ah-ha’ seems to me to be an excellent mantra for any photographer. Although in truth I sometimes search for that not by stepping back but by zooming in. For me the important thing is not to settle for the obvious, for the first angle that occurs to me.
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Paris is not alone in being as much a collection of villages as it is a single city; but its villages have to be among the most charming of any city's. And none more so perhaps than Montmartre, set high on a hill, with its basilica, the Sacré Coeur, visible from miles around.
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When you visit a city regularly, you can make time to explore new areas, as well as revisit favourite corners. And you can look for quirky details to photograph as well as the obvious sights. In Paris o, I was on the look out for colourful and interesting street art in the different neighbourhoods we explored.
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It’s no secret that I’ve badly missed travelling abroad over the last eighteen months. It’s not that we were always travelling, far from it, but we always knew that we could. And most years we would go abroad three or four times, on a mix of weekend breaks and longer trips.
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I wonder which way you usually point your camera? I’m guessing that most of the time, like me, you point it forwards. Maybe you tilt up for a tall building or tree, or downwards to capture a plant or small animal. But what if we were to point it directly upwards or downwards? What would we see?
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Studio photographers can spend a lot of time getting the light just right, changing the angles, adjusting the brightness and colour. Landscape photographers don’t have that luxury; we have to work with the light we have, or wait until it changes naturally.
