Looking for the ‘ah-ha’ seems to me to be an excellent mantra for any photographer. Although in truth I sometimes search for that not by stepping back but by zooming in. For me the important thing is not to settle for the obvious, for the first angle that occurs to me.
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Paris is not alone in being as much a collection of villages as it is a single city; but its villages have to be among the most charming of any city's. And none more so perhaps than Montmartre, set high on a hill, with its basilica, the Sacré Coeur, visible from miles around.
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When you visit a city regularly, you can make time to explore new areas, as well as revisit favourite corners. And you can look for quirky details to photograph as well as the obvious sights. In Paris o, I was on the look out for colourful and interesting street art in the different neighbourhoods we explored.
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It’s no secret that I’ve badly missed travelling abroad over the last eighteen months. It’s not that we were always travelling, far from it, but we always knew that we could. And most years we would go abroad three or four times, on a mix of weekend breaks and longer trips.
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I wonder which way you usually point your camera? I’m guessing that most of the time, like me, you point it forwards. Maybe you tilt up for a tall building or tree, or downwards to capture a plant or small animal. But what if we were to point it directly upwards or downwards? What would we see?
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A huge pregnant woman, her body half cutaway to reveal her inner anatomy, strides across the grass. The distinctive curves of one of Henry Moore’s Seated Figures reclines near a lake. A delicate glass spire towers above the trees.
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The river Gambia runs through the heart of the country of the same name, splitting it into two narrow strips, north and south of the river. To the west is the Atlantic Ocean; on all other sides the country is surrounded by Senegal.
